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Showing posts with label RUFUS. Show all posts
Showing posts with label RUFUS. Show all posts

Tuesday, 19 January 2016

Album Review - Bloom




BLOOM
by RÜFÜS (out January 22, 2016)




Australian music's first major release of 2016 belongs to Sydney's RÜFÜS and their sophomore album Bloom. It's a pretty excellent start to the year to say the least. With the singles we've already heard from their second effort, there was little doubt the follow up to Atlas was going to win the trio the hearts of many a dance fan all over again. Bloom proves a fitting title, as RÜFÜS grow or evolve or whatever word you find fitting to explain that they've pushed themselves to create an album that's an experience unlike your standard electronic/dance fare. In the same way that Tame Impala are redefining rock and the psychedelic, RÜFÜS (Tyrone Lindqvist, Jon George and James Hunt) find themselves doing the same for dance music on Bloom. It's not a chillout track here and party starting anthem there. It's a largely undefinable collection of songs that flow gorgeously between themselves, making repeat listens a necessity to fully explore every hidden beat and sound. Yeah, not a bad start to the year at all, right? 


"You said you don't love me like that, I'm stuck here standing in the rain, you said I don't need you like that, but I do, but I do." From the first lines of opening track 'Brighter', Lindqvist is sounding more soulful than ever on a track that you think will be a bit of a downer... until that chorus rolls around and you're clapping your hands and singing along as if you've known the track your whole life. Or that could just be me, but it will probably be you too. 95% chance it will be you too. The other 5% have never felt the warmth of the sun shining on their face and live permanently in the darkness. Many of the song titles are tied together by a sun or light theme; 'Brighter', 'Daylight', 'Until The Sun Needs To Rise' and then there's the epic closing track 'Innerbloom' and for things to bloom they need light and photosynthesis or something related to that (did not do well in science) so we'll throw that in there too. It works, because all of the tracks give off a certain sense of warmth and a drive to be something more. Particularly 'Innerbloom', which is just ridiculously good and worthy of that 'epic' word being thrown around. From small beginnings, the song grows in a way that feels organic... building and building upon itself. The songwriting is top notch too, right up to the final lines of the album, "if you want me, if you need me, I'm yours." 




There's a couple of nice surprises RÜFÜS have thrown in, none more pleasant than the duet on 'Hypnotised'. Some internet sleuthing tells me the lovely female vocalist on the track is Jon George's partner Dena, with some non-creepy Instagram stalking telling me her name is Dena Kaplan. Her vocals fit perfectly with Lindqvist's. If she was to do a Fergie/Black Eyed Peas inception thing and team up with RÜFÜS on a more permanent basis, none would be opposed. 'Hypnotised' is an album highlight, maybe even the album highlight, that wins on every level. The voices, the lyrics, the beats... the single potential is high in this one. Maybe? That honour could also be awarded to 'Until The Sun Needs To Rise', which is more than ready for radio in its own right. With Bloom, RÜFÜS exceed the high expectations they found themselves put under with the critical and commercial success of their debut. We'll hopefully be hearing a bunch of the tracks over the next twelve months on radio and you... well you should pick up a copy or digital download and give yourself a listen. You won't regret it. 
Matt Bond gives Bloom four roses (that have bloomed, get it?) out of five...

        

Sunday, 17 January 2016

Top 25 - 17 January, 2016


Courtney Barnett, Paces + Flume!


1. Ecca Vandal - End of Time





2. Jess Kent - Get Down





3. Tkay Maidza - Ghost





4. Kiiara - Say Anymore





5. KILTER ft. Porsches - Want 2 (NEW)





6. Porches - Be Apart





7. Savages - Adore





8. Gang of Youths - Restraint and Release





9. Courtney Barnett - Three Packs A Day (NEW)





10. Emma Louise - Underflow





11. Jack Colwell - C.O.A.T





12. Merival - Kicking You Out (NEW)





13. Taylor Swift - Out of the Woods





14. Foxes - Amazing





15. Flume ft. Kai - Never Be Like You (NEW)





16. Benji Lewis - Never Leave You Lonely (NEW)





17. Yeasayer - I Am Chemistry





18. St. Lucia - Physical





19. RÜFÜS - Say A Prayer For Me (NEW)





20. Chvrches - Empty Threat





21. Paces ft. Jess Kent - 1993 (No Chill) (NEW)





22. The Weeknd ft. Future - Low Life





23. Sleigh Bells - Champions of Unrestricted Beauty





24. Sia - One Million Bullets





25.Chairlift - Crying In Public


Saturday, 12 October 2013

Gig Review - Listen Out 2013





Listen Out!
Live @ Southbank, Brisbane (06/10/13)
Featuring Disclosure, Duke Dumont, Azealia Banks, Tnight, Just Blaze, Aluna George, Rüfüs, Touch Sensitive and a whole bunch more! 
Words by Jo Michelmore
Pics by Cordell Sanders


In what had been a headline grabbing festival/party in other states, the last of the Listen Out parties hit Brisbane last weekend in a surprisingly nice venue, right next to the Brisbane River at Southbank, which provided a beautiful city-scape view and a fabulous introduction to the obligatory summer festivals of 2013/14. 


The headlines created in other states seemed to be absent from the QLD leg of Listen Out, which made for a festival of fun, sun, dancing and importantly artists playing entire sets, recognised by Azealia Banks toward the end of her set, saying; "Thank you Brisbane for being so polite". Yes, good work Brisbane.


Touch Sensitive was a piece of festival genius, the beats in the shade a perfect way to welcome dusk after a hot day, Aluna George were another highlight, providing one of the most bounce-able sets of the day, Duke Dumont was a DJ (here's where I point out that electronic music is made for dancing to, not necessarily watching), Azealia Banks proved that while she continues to create controversy the reason she gets away with it is that she's actually very, very good and Disclosure closed the day with an awesome set that had almost all the punters at one stage, dancing until the very end. 


Check out our brand new and very first It's My Kind Of Scene gig gallery for bands, punters and click on each image to take you to lots of awesome!