Top 117 Songs of 2017 - #90 to #81

#117 to #101

#100 to #91

#90. LOOK WHAT YOU MADE ME DO

by Taylor Swift

I don't like your perfect crime

How you laugh when you lie.

The big wheel that is Taylor Swift's mission to become the most polarising figure in all of the music lands kept on turning in 2017, and I don't know about you, but I found it fascinating. Whether you believe the "feuds" are real or manufactured, they certainly lead to some expert manipulation of the masses by Swift's camp. Every line in 'Look What You Made Me Do' is designed to be critically analysed. Is this line about Kanye Kardashian? Is this one about Calvin Harris? Surely that one isn't about that dude that plays Loki in the Marvel movies. Or is it? They spark debates between rabid fans of Kimmy K, apparently in emoji form where Team Swift uses the rat emoji because rats eat snakes and the Kardashian clan think Tay Tay is a snake and I can't keep up. Or care. But I do like my catchy pop tunes and this right here is catchy. And made for those moments when you're at the fridge getting your midnight snack on and as you put that fourth row of chocolate into your mouth you start singing to the darkness, "look what you made me do, look what you made me do, look what you just made me do." (Matt Bond)  

#89. TOTAL MELTDOWN

by DZ Deathrays 

You know that when you are feeling down

Someone else is always feeling more.

When you read words about DZ Deathrays, the description that pops up over and over again is 'party-thrashers', which suggests they are the words used in their press releases, or they are actual thrashers of parties, which could be a good thing or a bad thing, depending on said party. 'Total Meltdown', released late this year, is probably more a raw rock gathering than a thrashed party; its smashing drums and dirty guitars drive it straight into a summer rock sweaty mess. Also, how can you not love a band that name their album exactly as it will be described when it's released in February next year? 'Bloody Lovely' mate! Bloody lovely. (Jo Michelmore)  

#88. LIKE GOLD

by Vance Joy

Everything we've done, is there on our faces for anyone willing to

Read between the lines.

So this is pretty much a wet dream for whoever the people are that pick songs for TV shows (side note, that is my dream job and if anyone in the "biz" wants to offer me one of these positions I'll take it right now thanks) and Vance Joy knows it. He's got a knack for making these types of songs that are made for those moments when Drama with a capital d is unfolding for all of your favourite characters and in the final three to four minutes of an episode you get to check in like the five main characters as they look all reflective and a couple breaks up or something. Anyway, I look forward to hearing this on Grey's Anatomy. Let's not get me started on Grey's Anatomy... (Matt Bond)

Is Vance Joy Australia's Ed Sheeran? Quietly charming, a master of eloquently humble lyrics and delightful folky pop melodies, as well as being king of the awkwardly cute curly haired market, Vance Joy can do no wrong. This makes me like him as much as I dislike him, much like Ed. That's a compliment though, so fans of mild mannered catchy pop can settle down. 'Like Gold' is the perfect summertime singalong song, it's designed for reminiscing and reliving long days and old times over summer sunsets, and it's just another reason he will be revered as one of Australia's greatest, now and for years to come. (Jo Michelmore) 

#87. THERE FOR YOU

by Eves Karydas

It could be, it could be a waste of time

But it's gonna be, gonna be worth the fight. 

Hannah Karydas may be Hannah Karydas one minute and then Eves The Behaviour the next and then reappear a couple of years later under supposedly her real name Eves Karydas, but we're going to forgo asking any questions about this and just focus on the fact that no matter what name this young music maker is going by, that music is always of a consistently excellent quality. That was quite the sentence. 'There For You' keeps Karydas on the electronic indie path that brought her a whole lot of attention as Eves The Behaviour and keeps her in standing with contemporaries like Vera Blue and Wafia. Romantic in an almost naive, youthful way, 'There For You' will work its way into your head and have you singing along before you're even through the first listen. It will be the first of many listens. (Matt Bond) 

#86. PRECIOUS

by British India

If everything could stay the same as it is right now.

Six albums in and British India continue to be one of the hardest working and most reliable acts in Australian music. Now, some might think 'reliable' is a lame compliment. I happen to think being reliable is a huge compliment. You don't get disappointed by someone that's reliable. Someone reliable will put in effort. And British India are yet to disappoint and always deliver the goods. One might say they're precious but that would just be ridiculous given the name of the song, right? Right? Doesn't mean it's not true though. Stellar rock from a band that remains very, very good at doing their thing. (Matt Bond) 

#85. HOTEL

by Kita Alexander

One day you'l meet me and you'll know it's not a dream

It won't be hell or heaven, we'll be somewhere in-between.

Let's just get straight to the point. This is a stunning piece of music. Kita Alexander has created a dreamy piece of desperation, a subtly strong but sombre sound, that gently swings from synth pop glory to total introspection, and all of this while having her first baby, travelling and she's only in her early 20s. I'm going to sound like an old person now, but I don't care. 20s? In most of my early 20s I was busy eating junk food and attempting not to be hungover. My gosh I'm glad for people more productive than me. (Jo Michelmore)    

This should have been a big hit for Kita Alexander. It's genuinely pop perfection. Gorgeous vocals, dreamy musical soundscapes and lyrics that send your imagination into overdrive. What more do you want? The answer should be nothing. You want nothing more than what Kita Alexander is giving you right here. "Someday you'll find me where the champagne's always free, when you check into the hotel where the skyline meets the sea." Lana Del Rey, eat your heart out. Kita Alexander might just have you beat on the Americana (or in this case I guess Australiana) dreaming lyrical front. I see that Apple Music are loving 'Hotel' on their new music lists, so there's still time for this to hit it big on the charts. If not, it's only a matter of time before Alexander takes off. She's far too talented not to. (Matt Bond)

#84. FRIENDS

by Justin Bieber

Know you wondering why I been calling

Like I got ulterior motives.

It's finally happened. There's a Justin Bieber song that I like and the world hasn't ended and everything is how it should be (except for like so many things). So that's something. I guess. Maintaining my immense dislike of all things Bieber has been a thing since the 'Baby' days. Yeah, I didn't like 'Sorry' and I'm not even sorry about it. But then 'Friends' came along and maybe I'm just tired these days and I can't resist the pull of a damn good dance track. I don't know what it is, but I don't hate this and maybe I hate myself a little bit for that instead? Okay, I'm being over the top (or OTT as the kids would say lolz), but this is for real the first Bieber track I'm able to get through from start to finish and enjoy. Is it because he's being the ultimate fuck boy on this track? Probably. You don't agree? You don't think he's got ulterior motives? Enjoy fantasy land you sweet, sweet fool. (Matt Bond)     

Don't worry, we've got 80 odd songs to go, there's still time for 'Despacito'. I was joking about hell freezing over back at number 95, but I'm pretty sure that's exactly what's happened now at number 83, because a few years ago I'm sure the ice would have had to have started forming for Bieber to have been included in one of our end of year lists. I guess that's one of the things Matt and I love about music though, you can just never tell which beat is going to get you, which voice is going to get stuck and which song is going to become a favourite. Sometimes it takes one listen, sometimes it takes a hundred. However many Justin had to release, it's nice to finally have him here. Yes JB, we can still be friends. (Jo Michelmore)  

#83. EVERYBODY KNOWS

by Kimbra

I was young and gullible, but baby I grew

Now the whole world's watching you.

It's so nice to have lil Kimbra here in our list, as she's appeared on and off for years now. What a wild ride it's been for her, a super pop start turning into a couple of minutes of real life superstardom and then an artist of super talent who I think is sometimes now a little overlooked and misunderstood, but I'm using those words in an incredibly complimentary manner, because they so often describe an artist dedicated to their craft and a sound dedicated to its listener. 'Everybody Knows' is a gloriously slow burn and just another piece of Kimbra's story, which is nothing less than super. (Jo Michelmore) 

#82. DROWNING IN THE SOUND

by Amanda Palmer

South by south west, two miles from town

I can't get out, I can't look down.

"You worship the sun...but you keep feeding the dark" I write all these words about all of this music, and in one song, in one lyric, Amanda Palmer describes how I came to start writing all these words on the internets all those years ago, why I came back to writing about another 117 songs this year, and why I have spent all my life listening to, loving and needing all the music. (Jo Michelmore)   

Sometimes it's hard to listen to a song and not take it for what it is. Usually there's a lot of bullshit and metaphors and delusional lines of what love is and you can critique it, love it or hate it. But then sometimes one of your favourite artists is singing lines about watching everyone she loves drowning in the sound and that just makes you sadder than you expected. And then you remember this is Amanda Palmer and she has this way with words that can sometimes make you feel like you've actually been punched in the face. Take it as a metaphor for the insanity in the world around us or as a reflection for the victims of Hurricane Harvey (which profits of the track went to) or take it however you want. That's the fun thing you get to do with music. Take from it what you will. And Amanda Palmer always gives so much. Here's hoping there's much more to come in 2018. (Matt Bond)

#81. HALLOW FATE

by Gin Wigmore

Do I pretend to play your ways

That I always stay inside the lane.

Ms Wigmore has had a big year. She created a much needed female focussed art and music collaboration project called GIRLGANG, she worked on creating her fourth album and she created a new human, her first baby Ivory, which is a person as well as the title of her next album. Amongst all of that, she released this haunting little track 'Hallow Fate', her super sweet gravelly vocal as strong as ever, her sense of soul as important as ever and her general fabulousness is as fabulous as ever. It will never feel good to be without you Ms Wigmore. (Jo Michelmore) 

 

Top 115 Songs of 2015, #40 - 31

Meg Mac, Golden Features, Christine and The Queens + Kita Alexander!

#115 - 101

#100 - 91

#90 - 81

#80 - 71

#70 - 61

#60 - 51

#50 - 41

#40. MY OWN WAY

by Kita Alexander

Would you still dance with me

If you could get my heart for free?

Wonder teen, Kita Alexander has the brightest of futures ahead of her. With just one song, she was able to secure the services of Empire of the Sun, one of Sia's producers and the management behind Angus and Julia Stone and Lana Del Rey. She's been touted as the next big thing, will without a doubt place in the upcoming triple J Hottest 100 and you're likely to see her pop up all over the world over the next twelve months. That song was 'My Own Way', cool in the way that Alexander seems perfectly in control, yet without a care in the world. If this is as good as Kita Alexander is upon her debut, she deserves all of the amazing things coming her way. (Matt Bond) 

#39. IS THIS LOVE?

by Karl S. Williams

Is this pain what I needed

To awaken my mind from its sleeping?

I was walking past a pub once, and as I wandered by I pointed and spoke out loud the words that were written on the blackboard out the front. Those words were “Karl S Williams”. As I said them, Karl S Williams walked around the corner, nodded and said “hey” before walking in the door of said pub. I was dumbfounded, I literally LOL-ed and at that exact moment I decided I loved Karl S Williams. That moment and then this moment, this sweet, sweet tale of love, those gentle strings pulling at every emotion, the piano bringing in all the emotions and Karl’s incredible vocal pleading with me to listen closer, over and over. That and Thelma in the clip. No need to ask Karl, from that first amusing “hey” outside that pub through to all the words you sing. Yes. Love. (Jo Michelmore) 


Karl S Williams, musical fool. And what a romantic musical fool he's proven himself to be with 'Is This Love?' From the beautiful orchestration and soaring (and I mean SOARING) vocals to Williams' 'do you want me by your side' confused questioning throughout, the answer to the question in the title becomes quite obvious. At least from the viewpoint of the listener. So, is it love that Williams is feeling? Totally. I mean, who wouldn't fall in love with Thelma Plum? Is there a happy ending though? The video leans towards no and it gets super awkward. Thelma... how could you? :,-( There's even solo reflecting by the water to close things out. Oh, the feels. Damn it all! Karl S Williams, musical genius. (Matt Bond)  

#38. RESONATE

by Avec Sans

And your heart, your heart, your heart

Bears no name to hold me now, to resonate.

Well this is just nifty, isn't it? London's Avec Sans have been steadily releasing moments of electronic intrigue over the past couple of years, with their cover of Kate Bush's 'Running Up That Hill' and the tracks 'All Of Time', 'Shiver' and 'Hold On' earning a ton of play around these parts. But nothing quite compares to their 2015 release, 'Resonate'. "The sky falls away so they can't see, and the light holds it's place inside of me." As soon as it hits the chorus, 'Resonate' blows up in the most satisfying way. I love when music is described as 'doom pop' and throw electronic in front of that and I reckon it fits this song to a T. Alice Fox and Jack St. James make up Avec Sans. They don't just have amazing names, they're also pretty brilliant at that whole making music thing. Here's to so much more in 2016! (Matt Bond)

Avec Sans have got themselves some nice web hype and internet loving over the last couple of years and I’m super happy to have provided a teeny bit of that hype, because my love of their brand of electronic pop is a super big love. ‘Resonate’ is just like their catalogue of awesome-ness; full of beats you can’t help moving to, Alice Fox’s voice is captivating and Jack St James holds it all together with a style and honesty that makes them shine. The web hype tells me they’re playing SXSW next year, so I’m really looking forward to that web hype becoming more than just hype in 2016. (Jo Michelmore) 

#37. QUEEN OF PEACE

by Florence + The Machine

Suddenly I'm overcome, dissolving like the setting sun

Like a boat into oblivion, Cause you're driving me away.

I didn’t always love Florence + The Machine. It took me a while to understand what all that wailing was about, but now I get it, it’s pretty much a given that Florence can do no wrong with that powerful set of lungs of hers. As for The Machine, does anyone know who they exactly are? What a great gig that would be, travelling the world, playing festivals and stages to millions of adoring fans, but no one really knowing who you are, so being a tourist at every stop would be super easy. What am I doing with my life? Why aren’t I a member of The Machine? Flo and I would be great friends. Instead, I’m just sitting here listening to ‘Queen Of Peace’ over and over again, writing words about how good Florence is. Who am I kidding? I don’t need the writing words bit to be an excuse to do that, I’d be listening over and over again anyway. (Jo Michelmore)

#36. NO HARM IS DONE

by Christine and The Queens ft. Tunji Ige

It's a blur

The pulsing is so loud, surely we'd feel better

If we had something to fight for.

Wait a minute... this isn't in French. Now we can't act all fancy. We weren't going to get away with 'fancy' anyway, but allow me to distract you from that thought with the incredibly smooth and dreamy tones of Christine and The Queens. A determined pop performance against hip hop flavoured beats allows Christine and The Queens' Heloise Letissier to show once more why she is one of the very best music makers in the world right now. Letissier and Philadelphia' Tunji Ige both exude a restrained anger, waiting for the right moment or cause to explode. Dramatic and fantastic in equal measure, 'No Harm Is Done' might not be as 'fancy' as Christine and The Queens' French cuts, but that doesn't make it any less sophisticated. C'est magnifique! (Matt Bond)  


If you think we put Christine and her Queens back in because we needed the fancy again, you’d be mistaken. There’s not even one bit of French in this song, but her slight accent every now and then sure makes English sound better than I’ve ever spoken it. ‘No Harm Is Done’ was released as part of her debut album release in the US, which probably explains the appearance of Tunje Inge rapping in the middle there, because you know, Americans love rap, maybe, or something like that. The real question here is, who are The Queens? What a great gig that would be, travelling the world with no one really knowing who you are etc. What am I doing with my life? Just sitting here lisening to Christine and the Queens over and over again, writing words about how good they are. Wait, de ja vu? That's French. Just checking you’re reading everything I write. But I don’t need the writing words to be an excuse to listen to songs like this. I’ll be listening over and over again anyway. Does anyone see what I’ve just done here? (Jo Michelmore) 

#35. SPRINTER

by Torres

There's freedom to and freedom from

Freedom to run, from everyone.

Torres has been releasing some impressive music in the last few years, the type of things that you may not hear everyone in the world talking about, but the type of music that deserves the all of the quiet attention it has been receiving, and more. ‘Sprinter’, the title track from her third album is painfully brilliant, agreeably unsettling, melancholy without being depressing and thought provoking without being forceful. Its spaces and restrained sounds within make it an outstanding song, one that deserves so much more than just quiet attention. (Jo Michelmore)  


On Torres' Facebook page, her influences contains only one name. Detective Olivia Benson. If that's not enough to make you automatically love her, may I suggest giving her music a listen? Because it's brilliant. Torres, also going by her birth name Mackenzie Scott, released her sophomore LP Sprinter to critical fanfare earlier in the year. It was one of the first albums of 2015 I truly fell for, with some of the most breathtaking lyrical moments of the year and alternative spins on classic Americana sounds. The standout moment would be the title track, 'Sprinter'. Following in the thematic spirit of last year's 'New Skin', 'Sprinter' speaks to all those beaten down by the daily grind. It's one of those 'the struggle is real' kinda tunes, but in a literal sense... not like those bullshit Instagram posts. You grow up and you're tired all the time and nobody tells you that you can't go back to those simple days that went by too fast. Songwriting gold, straight out of Nashville, Tennessee. (Matt Bond)

#34. MAGNETS

by Disclosure ft. Lorde

Pretty girls don't know the things that I know

Walk my way, I'll share the things that she won't.

Like most fourteen year olds, I am obsessed with Lorde and desperate to hear the follow up to her groundbreaking debut, Pure Heroine. In the meantime I'll take whatever comes my way. Whether it be a song or two on a Hunger Games soundtrack or a team up with some English electronic dudes that are pretty great, but I don't go out of my way to listen to. Unless Lorde is on one of their songs. I'll throw people out of my way and push them down some stairs to get to that. Because it has Lorde, and as I've often heard throughout my life, the Lorde is my saviour. SAVE ME, LORDE. Like most fourteen year olds, I am also prone to emotional outbursts when it comes to my idols. You should have seen me at the Taylor Swift concert. Oy. Right, I should be talking about 'Magnets'. Like a piece of metal, it's got some forces working that are pulling me right into it. And the video is fire. And the comments on it about Lorde selling out and getting all sexual are lame-o. Girlfriend is 19, let her live a little. So she macks out with an older dude and then kills him for being a cheating tool. We've all been there once or twice. Right? Stop the hypocrisy, people. Just stop. (Matt Bond)


There was a cheesy pop song released in the early 00s that had a lyric in it that would bring me close to tears every time I heard it. I'm not going to tell you what song it was, that will reveal far too much about my personality. However, that brings me to the concept of how strange it is that sometimes you hear little bits of unexpected songs that affect you. While Disclosure and Lorde do a really good job of making music together, there’s a lyric in ‘Magnets’ that has struck a chord (get it?) with me, that I really adore. But it's sung by Lorde and what would she know? Every time I hear it I think “get out of my head” and “you’re like a teenager, what would you even know?” but you know, music is transcendent and important and all that, so sometimes it’s better to just get lost in songs the way you want to and have a cry without question. Shut up. I won't be judged and I won't tell you what the lyric is, because that will reveal far too much about my personality, but it’s so very true; they don’t know the things that I know. (Jo Michelmore)

#33. WTF (WHERE THEY FROM)

by Missy Elliott ft. Pharrell Williams

Got a new idea, let me switch it

Man, I'm so futuristic.

There is a track in this countdown that makes me so (insert swear word)-ing happy that it’s in here. Because it has been a long, long, LOOOONG wait for something new from Ms Missy Elliot. The last time she released something substantial of her own, this little blog didn’t exist and the last time we saw her she was doing everything about a bazillion tiomes better than Katy Perry during Missy Elliot’s Katy Perry’s halftime performance at the Superbowl. A return like this could have been a disaster, except of course, it couldn’t, because it’s Missy and let’s face it, she’s the best. Like, I mean it. The. Best. 'WTF' is the best. Like, I mean it. The. Best. End. (Jo Michelmore)

I have been hanging out for another Missy Elliott one time exclusive for what feels like an eternity. Years had come and gone without a proper return from the undisputed Queen of Hip Hop and we were all poorer for it. Poorer, I say! No one else can do it quite like 'Misdeameanor', she is force of nature designed to get your body moving with the finest of beats and the fiercest of rap attitudes. Alright, alright... I'm a total fan girl. What of it? When she stole the show joined Katy Perry for a medley of Missy delights during the Super Bowl, everyone must have known there would be no better time than now for Elliott to make her long awaited comeback. I knew it, you knew it and Pharrell Williams knew it... which is why the former (?) N.E.R.D front encouraged her to get her badonk-a-donk-donk back in the studio. And thus 'WTF (Where They From)' was born. Really, what more could we have asked for? This was a return to form that exceeded the ridiculously huge expectations placed upon it. Missy and Pharrell both proved they have plenty of gas in the tank and that they can keep it funky fresh dressed (to impress at any party). What comes next is anyone's guess, but in this moment the original bad gal was back in the game. Thank you, Missy! (Matt Bond)

#32. NO ONE

by Golden Features ft. Thelma Plum

We were only young
We were falling in love.

Everything is better with Thelma Plum. It's something we've been saying for a couple of years now and we keep being able to do it because she keeps proving it true. Need the perfect featured vocalist for your hot new electronic jam? Call in the Plum. Old mate, Golden Features did just that. Yep, Golden Features, all enigmatic and gold mask wearing, is one of the most exciting producers to emerge in the past couple of years. Who's behind the mask? Or is it what's behind the mask? Maybe he's a robot? Maybe this is where the robots begin their assimilation into human society... taking us over from within, one dance hit at a time. Maybe I've recently watched Terminator 2: Judgment Day. Oh well, if this is the kind of sound that will lead the human race into doom, I'm all for it. What? The siren sounds of Thelma Plum and the delicious beats of Golden Features. You'd be all for it too. (Matt Bond)


Well isn’t this a special group of ten songs? One way or another you knew we’d get more than one reference to Thelma Plum in this here countdown and while we’ve been quiet so far, bam! Twice in one ten. Both features to other artists, but we’ll take what we can get, really. When’s that album Thelma? I digress. Golden Features was a secret for a long time, no one actually knowing who he was, but I’ve since done some research (hello facebook) and found out he is Tom Stell, which actually doesn’t mean anything to me, but one things for sure, he’s quite talented isn’t he? Busy producing his own work instead of others seems to have paid off for him, if ‘No One’ is any indication, its rapid beats are a perfect accessory to Thelma’s magnificent vocal. Whoever you are Tom and whatever you’re doing, keep doing it. (Jo Michelmore) 

#31. NEVER BE
by Meg Mac





I get lost in the world in a day
All I'm saying, you get trapped in the world in a day.

Meg Mac. Matt and I have a joke about her being from Sydney. Which isn't funny in itself, but I don't need to explain our jokes to you, he'll do a good enough job of that himself. Meg Mac has already been named a bunch of things by people other than Matt and I, places like JJJ, Rolling Stone and the like, so an appearance in our countdown probably doesn't mean much, but at least we have more to say about her than Nova. Anyway, the important part here is how good this song is; part soul, part pop, it feels like a gospel church service, can I hear an amen? I've never been to a gospel church service. I have been to Sydney though. You know something about Sydney? That's where Meg Mac is from. Amen. (Jo Michelmore)

Meg Mac. She's from Sydney, you know? While that might be the best a daytime Nova presenter can come up with after playing 'Never Be', you feel like maybe the song left him so speechless... astounded... mystified... that the best he could do was acknowledge that such a talent is one of Australia's own. Which really shouldn't be a surprise either, AUS music is the best. After killing it in the 2014 Hottest 100 (and deservedly so), the Mac found herself one of the country's most celebrated artists. And that took her all over the world, sharing her beautiful music with a diverse and much appreciative audience. Keeping hard at work, we were treated to the new single 'Never Be', arguably the best outing yet from this soulful stunner. Everything Mac has released so far has been excellent, so it could turn into quite the debate, but yeah, for my money 'Never Be' is where it's at. A piano driven pop gem that once more shows the depth and power of Meg Mac's voice. And it provides a mighty singalong too. There's nothing better than a good singalong. 2014 and 2015 were big for Meg Mac. 2016 will likely be massive. Bring it on! (Matt Bond) 

There's only 30 songs left to go... and we'll be back with the #30 - #21 on Saturday!

 

 

Top 25 - 25 October, 2015

Hello... it's Adele.

1. Adele - Hello (NEW)


 


2. Montaigne - Clip My Wings





3. Jim Lawrie - Antisocialite





4. Christine and The Queens ft. Tunji Inge - No Harm Is Done





5. MKO SUN - Michiko





6. Sarah Blasko - I'd Be Lost (Re-Entry)


 


7. Hey Lady! - Routine





8. Kita Alexander - Like You Want To (NEW)


 


9. Little May - Sinks





10. Feki ft. Emily - Quiet Minds (NEW)


 

11. Olympia - Tourists





12. Mio ft. Le Pie - Neverland (NEW)


 

13. Swim Season - Soldiers





14. Elizabeth Rose - Shoulda Coulda Woulda (NEW)





15. Lime Cordiale - Not That Easy





16. Chvrches - Clearest Blue


 


17. Tiger Choir - Interstate (NEW)


 

18. Anita Lester - Devil In A Dress





19. Lupa J - Dirty Skin





20. Bloc Party - The Love Within





21. Savages - The Answer (NEW)


 


22. Stillwater Giants - Patience





23. Wafia - Heartburn (NEW)


 

24. Disclosure ft. Lorde - Magnets





25. Ryder - Ruins

Top 25 - 21 June, 2015

Little May + Ngaiire return!

1. Kira Puru - All Dulled Out





2. Little May - Home (NEW)





3. Ngaiire - Once (NEW)





4. ALTA - Moves





5. James Chatburn ft. Frank Nitt - We Drink





6. Florence + The Machine - Queen of Peace (NEW)





7. Dolo Jones ft. Passerine - Can't Give You Up





8. Tired Lion - Suck





9. Quintessential Doll - Saccharine (Rework)





10. Little Sleeper - Middle of the Night





11. Our Man In Berlin - Spirit Down





12. Kita Alexander - My Own Way (NEW)





13. R.W. Grace - Shell (NEW)





14. Courtney Barnett - Dead Fox (NEW)





15. Sarah Belkner - Susanne





16. Gena Rose Bruce - Good Thing (NEW)





17. Ali Barter - Hypercolour (NEW)





18. Holly Who - Gimme Gimme





19. Passerine - Never Enough (NEW)





20. Stella Angelico - Fortified





21. Banff - All Again





22. The Grates - Call Me





23. Jeremy Neale ft. Phoebe Imhoff - Hold On Together





24. Golden Features ft. Thelma Plum - No One





25. Ben Folds and yMusic - Capable of Anything