Top 119 Songs of 2019, #10 - 1

#119 - #111

#110 - #101

#100 - #91

#90 - #81

#80 - #71

#70 - #61

#60 - #51

#50 - #41

#40 - #31

#30 - #21

#20 - #11

#10. VIDEO

by Cub Sport ft Mallrat

Did you forget I am no pedestrian recycling art

I am Mozart

I saw these Cub Sport characters in a café near my place recently, and I spent the whole time I was there waiting for my takeaway trying not to look at them, leaving my sunglasses on and pretending I was looking at menus of the restaurant next door, because I didn’t want to look like a loser and be like “Hey. Are you Cub Sport? (knowing exactly who it is) I really like you guys a lot” because that would be lame. So here I am on the internet, declaring my love for the rest of the world to see instead, because that’s not embarrassing at all. Isn’t life weird? Hey Cub Sport! I like you guys, a lot. (Jo Michelmore)


You take two of Brisbane's most exciting acts, put them together on a song and you get GOLD. Obviously this is what happened when Cub Sport and Mallrat teamed up for 'Video', a track that's as romantic as it is sex-ay. As someone with nothing notably 'sexy' going for them (exhibit A, the use of sex-ay) it even makes me feel a little bit goooood about myself. 'Video' was the diamond amongst the many rich gems populating Cub Sports' 2019 self-titled release, standing out as a shining example of the absolute confidence Cub Sport have found in their music. (Matt Bond)

#9. DON'T BE SO HARD ON YOURSELF

by Alex Lahey

You say, that things are spinning around and around

And you've lost control and you need to slow down

If I got any of these top ten songs stuck in my head, I feel like this one would be the most useful. Been sitting at a laptop for hours on end, Jo? Can’t think of any more positive words after writing about a hundred songs in the last few weeks, Jo? Think your writing is garbage but put it on the internets anyway, Jo? Hungry, Jo? Don't be so hard on yourself, Jo. Alex Lahey’s little brand of pop punk and self-depreciating saxophones are what I should be listening to. This is advice I like to give often, and advice I should take often. If only I could present it as well as Alex Lahey does. Don't be so hard on yourself, Jo, and so on... (Jo Michelmore)


A musical pick-me-up, an upper in song form... it's 'Don't Be So Hard On Yourself' by Alex Lahey. It's the perfect cure for those mild cases of the sads, ready made for those moments when you're thinking you have no idea what you're doing with this whole 'life' thing. Sometimes you just need a reminder to get out of your own way and that things are never as bad as they seem (being caught for committing a crime is excluded from this narrative). Lahey has you covered in this department with the lead single from her sophomore album, The Best of Luck Club. This might very well be the best we've heard from Alex Lahey so far, but I think we all know THE best is still to come from an artist that keeps topping what came before with each new release. (Matt Bond)

#8. KITCHEN

by Annie Hamilton

I could try to recreate it

The memory is overrated

Annie Hamilton’s music was my pleasant surprise of the year, I was so hoping she’d keep releasing incredible things. Completely unexpected and now seemingly obvious, she was part of one of my favourite acts of the decade (see number six), so of course she was going to remain incredible on her own. And a song about my favourite room in the house. Whatta dream. So many layers of sound like some kind of cake one would find in such a room, I want to listen to Annie Hamilton in all the rooms of the house, across all the stages of the world where she deserves to be. I’m so looking forward to seeing which room she’s in next. (Jo Michelmore)


Continuing her brilliant run of single releases, Annie Hamilton is now 3 for 3 with 'Kitchen'. It's one of the finest rock releases of 2019, something you'll agree with from the opening distorted guitar that leads into Hamilton's stunning opening lines, "clouds are rolling down the hills, I tell you that it kills when you look at me like that." The imagery these lines and the music paint in your mind, I mean get out of here, this is too good! 'Kitchen' takes the first started by 'Fade' and 'My New Tattooed Chameleon' to another level as it builds to a thrilling conclusion with Hamilton letting loose the final time she prepares to let us know what she's missing as she stands there in the kitchen. Like I said, it's just too good. (Matt Bond)

#7. MONEY

by Lime Cordiale

Make a lifetime full of small talk

Pretendin' he's so funny

I nominate Lime Cordiale for having some of the greatest hair in Australian bands at the moment, but I also nominate them for being one of the greatest Australian bands ever as well. That’s not too big a call to make is it? Have you heard this song? It’s got a 70s groove bassline, a simple driving beat and a horn section half of the 80s would be jealous of. As well as half the 00s, and most of 2019 as well. They sing about the pressures of society and our collective thoughts about money, but the best part about music is that almost anyone, regardless of pay scale, can enjoy rock like this. (Jo Michelmore) 


The echo in the vocals, the perfectly times keys, those harmonies, a chorus that somehow manages to be apathetic and indignant at the same time. Yeah, Lime Cordiale are pretty good at this whole making music thing. 'Money' grows on you as you listen to it more and more And you won't be able to not listen to it more and more. It's a catchy jam that's worthy of a singalong. It will have those toes tapping at quiet social occasions and feet stomping at those unexpected, less quiet ones. Oli and Louis Leimbach aka Lime Cordiale have had a huge year built off of banging tunes. 'Money' is the most banging of them all. (Matt Bond)

#6. APPLES

by Little May

I wish to be governed by something else

I can hold your hand while you wash away our dreams

This is a song I have been dreading writing words about, not because of the song itself, but because of knowing it will be the last time I write anything about a band I have adored so much in the last few years. How excited I was to hear new material from Little May in 2019. Their second album Blame My Body was everything I expected it to be; emotionally charged, an incredible strength woven through every note, all of the songs quickly becoming new favourites and every moment a sense of hope of what was still to come. When I heard they had called it quits midway through the year, I admit I felt a bit empty for a couple of days. While I’m so hopeful that both Hannah and Liz will find their musical feet somewhere else, and I’ve no doubt they both have the talent to make amazing music separately, it’s tough when your favourites move on without you. Thanks for ALL the music Little May, you filled a hole in my life soundtrack, covered it with your own brand of perfection and won’t be forgotten. (Jo Michelmore) 


Oh, Little May. This chapter of the musical adventures of Hannah Field and Liz Drummond might have come to a close, but what a way to go out. Their second album, Blame My Body, was one of the best releases of the year with 'Apples' quickly becoming my most listened to track. It takes some inspiration from 90s alternative rock, both in the music and the lyrics, but keeps Little May's trademark ability to construct a layered track that breaks your heart while putting it back together at the same time. Drummond takes the lead vocals with Field backing her up, ensuring those Little May harmonies can still shine. I could go on and on, but I'll just highlight my favourite part of the song. As the second verse begins, Drummond sings the lines, "I wish to be governed by something else, I can hold your hand while you wash away our dreams." It's a devastating thoughtfulness that gets me every time. And devastatingly thoughtful is the best description I can think of for Little May's music. Thank you for the music and we can't wait to hear what comes next from Liz Drummond and Hannah Field. (Matt Bond)

#5. PARADISE

by The Presets and Golden Features

You and I are face-to-face

While the world up above keeps burning like a riot

I love how reliable The Presets are. There’s one thing for sure and that’s if I’m writing about The Presets it’s going to be positive. They just keep doing their thing, and everything they do turns to electronic gold, or in this case they work with Gold(en Features) and everything turns to…Paradise? I don’t know, I’ve written a lot of words, excuse my random ramblings at this point. I do know if you smash the ever reliable Presets together with another of this country's electronic heavy weights, Golden Features, you get what I think is actually as close as you’re gonna get to any of the songs Matt likes to call ‘bangers’, or ‘bangerz’, with a z, should you be so inclined. Either way, this song is perfection in paradise. (Jo Michelmore)


Not that they ever lost 'it', whatever 'it' is, but The Presets still have 'it' and so does Golden Features. Golden Features definitely has 'it'. Let's just say 'it' is being able to put together a song that makes you want to dance and it also makes you think you can dance when you know you can't. And what is paradise, if not a magical place where you think you can dance and then you can dance like no one is watching because you're on a tropical island with endless drinks and fancy food and you're alone and that's why you can dance like no one is watching because there's literally no one there to watch you. And 'Paradise' is playing. And it's perfect. Take me there now! (Matt Bond)

#4. READY

by Montaigne

And I'm at the edge of the cliff

So let's begin

One of the things I love about Montaigne is her love of the dramatic, her appreciation for her music as not just a song, not just an album, but an experience; she pieces everything together in such beautiful theatrical ways that one can’t help but feel spellbound by her ways. The confident percussion, the layered vocals and the important messages in 'Ready' (and all of her second album Complex) are unparallelled, her performances captivating and her voice mesmerising. She has a long list of influences that can be heard amongst her songs and seen in her stage presence, but what’s most exciting is the influence Montaigne will be on others as she keeps evolving and creating and growing. I will be happy to see where she goes and so ready to follow her wherever she heads next. (Jo Michelmore)


A click of the fingers and beating drums. You know you're in for something epic. This is a Montaigne song, you already knew you were going on a journey. It starts with a frank admission of frustration that explodes following Montaigne's promise, her mission statement. She's ready. We're ready. Let's begin. In the chorus we find soaring vocals and lyrics that show how much growth her occurred between albums. No wings will be clipped today, Montaigne is destined to jump off the edge of that cliff and fly high. Montaigne set the bar high with her 2016 debut, Glorious Heights. But with this year's follow-up, Complex and on the song 'Ready', one of the true new classics smashes all expectations to dust with fearless precision. Her name is Montaigne, her time is now. And we are so ready for this. (Matt Bond)

#3. WE DON'T CARE

by Polish Club

This could be a start

Do it for the art

I’ve had some of the greatest nights of my life in a Polish club. Well, at least I think I did. Apparently I did. Those Poles sure know how to distill a vodka. That has nothing to do with this Polish Club though, except to say I think of that other club whenever I hear this Polish Club, and ‘We Don’t Care’ is pretty much exactly how one feels when one is consuming said vodka in the aforementioned club. It’s the ultimate rock I love; pounding drums, gritty guitars and a vocal that smashes its way into my brain the way all the best rock lyrics do; “For the night I can live like a stranger, for the night I'll forget all the mess…”and so began and ended my Polish vodka evenings. And one more thing. Greatest clip of the year, because I may or may not have been all those guys in that karaoke bar. Every single one of them. (Jo Michelmore) 


Funnily enough, my experience with an actual Polish Club is the exact opposite of Jo's, but the less said about it the better. The band Polish Club is nothing like the night that shall not be spoken about, they are amazing. Unrelated to their track 'We Don't Care', Polish Club recently released a little New Year's collection of songs that you should GET ON NOW, because it's guaranteed to start your 2020 in the best way possible. With a Kylie cover. As for 'We Don't Care', all swagger, sex appeal and too cool to give a fuck vibes... yes please and thank you. We are not worthy. David Novak howls his way through the rock anthem of the year, as essential track for any playlist that includes the word 'party'. This is fun, doesn't take itself too seriously and encourages you to make choices so bad they have to be good. Actually, this is the New Year's Eve jam you need to be playing. (Matt Bond)

#2. EVERYTHING'S BETTER WITHOUT YOU

by Kira Puru

You asked me how I've been

Like we're just friends

You really wanna know?

A groove that begs to be danced to, beats that stick in your mind long after they’re over and words that must be sung along to, ‘Everything Is Better Without You’ is the anthem we all need every now and then. Bold, sassy, strong, confident and so very fabulous, Kira Puru seems to be the person I want to be. I said everything I think about Ms Puru back at number 26, but the thing is that in this song she sings a set of words I would never, ever think of her, because my world is a much, much better place with Kira Puru in it. (Jo Michelmore)


We've been saying it for years... everything is better with Kira Puru. And now she offers up the quintessential post-relationship pop smash with 'Everything Is Better Without You'. It captures everything you'd want in the moment you encounter your ex at the local discotheque, saloon or frozen vegetable section at Coles. You're looking good. Damn good. And you're feeling it. All because a certain someone is out of your heart, out of your mind and out of your life. The glorious feeling this song give you, the sheer joy? It should be bottled into a fragrance, yeeewwww du Puru. It's official, Kira Puru can do no wrong as she continues to pump out bop after bop. Everything really is better with Kira Puru. (Matt Bond)

#1. BETTER IN BLAK

by Thelma Plum

But if I just keep quiet

I'll be the one who's dying too

It seems so appropriate that a decade after Matt started this blogging thing and six, maybe seven years after he invited me to start writing with him that our number one song of the year be this one, because it is a song that somehow represents so much of what this blog has been about all this time.

‘Better In Blak’, from Thelma Plum’s incredible album of the same name is an important piece of music, a personal tale but also a reflection on our society and just some of the things Thelma, and so many others have had to face in said society; told with an incredibly strong and danceable beat, a bassline to move to, a chorus to groove to and it includes something Thelma does so well, a resounding “fuck that” lyric to sing along to, which I can say is so very powerful when performed live. It’s a song of fight and song of strength, a song of confidence and a song that needed to be heard in 2019, a song that shows us where society has gone wrong and which way to head to be right. It’s Thelma Plum at her best, coming from a place so dark and turning it into something we adore, and I only hope she doesn’t have to face such awful things again to make her next piece of incredible music.

But with all of those things, all of those life affirming words and reflections of ourselves and each other, it’s also basically a perfect pop song. Life wrapped up in music, which is the thing that Matt and I have always loved. It’s the thing that has inspired us to spend endless hours over the years writing all the words to share with someone, anyone who has wanted to join us, the thing that tells us all about ourselves, the thing we desperately search for in darkness and the thing we love to love in the light. It’s pretty much everything, and our lives would be nothing without it. Music. Thanks for loving it with us all this time. Until the next perfect pop song… (Jo Michelmore)


What makes a song your favourite of the year? Is it how many times you listened to it? Is it the feeling that it gives you; happy, sad or something in-between? Does it make you think or feel less alone? Does it send a message? Is it defiant? Rebellious? Triumphant? Maybe it's all of those things. Maybe it's more. Thelma Plum's 'Better In Blak' ticks off a lot of those boxes, but that's not necessarily why it's our most loved, number one song of 2019. All those things play a part but, and I'll use this one last time and then retire it forever... 'Better In Blak' is an absolute banger of a track. A perfect pop song. It builds on all the elements of Thelma Plum's work we've loved over the years and crafts a song that will stay with us forever. Jo has mentioned before that there's songs that will be part of your life's soundtrack and 'Better In Blak' is one of them. We'll be listening in 10, 20, 30 years time. Hopefully long after that too. It's a song that will stay with you for a lifetime. And it's an absolute banger. The best banger of 2019. Love. (Matt Bond)

Top 119 Songs of 2019, #70 - 61

#119 - #111

#110 - #101

#100 - #91

#90 - #81

#80 - #71

#70. SUGAR

by Peking Duk and Jack River

Want to be with you

Want to be right there by your side

On ‘Sugar’, Peking Duk and Jack River prove they’ve got the recipe down pat for the most perfectly delicious musical treat. I know we’re not supposed to compare things (for reasons?), but I love seeing listeners say they’re getting ‘Steal My Sunshine’ vibes from this one. Like Len’s seminal and possibly only track, ‘Sugar’ comes so close to falling off the sickly sweet cliff, but unlike that smash hit I don’t think I’m going to have any reservations 20 years from now about openly discussing my love for this one. River slides easily into Duk’s anthemic electronic sound, owning the dance stage in the process. Maybe it’s a little unexpected, but it’s a pleasant surprise. Who wouldn’t want to hear more from these two acts? (Matt Bond)

#69. TOMORROW IS A NEW DAY

by Texas Tea

This way you have no regrets

And each day it comes and each forgets

Brisbane’s own Texas Tea makes the surprise comeback of the year with the release of the album Röda Tråden. It had been seven long years of a wait for the obscure tea bag fan group, but that wait was well worth it. Texas Ben took the lead on ‘Tomorrow Is A New Day’, a track that rolls over and over. Kind of like a new day beginning. Kind of like a new bit of quiet heartbreak with each promise that maybe tomorrow’s that new beginning you’ve found yourself hoping for. I’m listening to this and can’t stop thinking about how each time I order Uber Eats I’m thinking I’ll be better tomorrow, knowing full well I won’t be. Things aren’t going so bad when that’s the extent of my pain... I’m sure Texas Ben had something much deeper on his mind when putting these words down. Or maybe this is truly the regretful Uber Eats soundtrack tune we’ve all been longing for. Maybe it’s best we never know/I never put these thoughts in hearts and minds around the world ever again. (Matt Bond)

And here we are at what was probably my most unexpected but so awesome surprises of the last twelve months. I didn’t know how much I’d really missed Texas Tea until they returned early in the year. As soon as I heard Ben Dougherty’s voice I was spellbound, taken back a few years to a couple of albums that defined some time for me earlier this decade. I googled them while thinking about what I was going to write about them and found a quote about their music defining a season, “it will be one I play years from now and remember this summer, it’s an album that will transcend time but bring me back to the first warm afternoon I heard it” which is pretty much how I feel about Röda Tråden now, which is kind of funny, considering I wrote those other words in the first place. And now that Texas Tea have returned, and I’ve begun quoting myself, this blogging and countdown thing really has come full circle, hasn’t it? 'Tomorrow Is A New Day', indeed. (Jo Michelmore)

#68. BACKSEAT

by Ali Barter

 


No, we've never really met

But if we did, then I think that'd we be perfect

I mean, I love this song and everything Ali Barter does, but can we talk about her facial expressions at the start of the video for ‘Backseat’ because that’s damn good comedy right there. Get this gal a TV Week Logie award. What? It’s not like we have real awards in this country... ‘Backseat’ is a lot of fun. It feels like it’s packing a whole lot of sarcasm, a scandalous touch and a catchy energy that will have you dancing around your room before the song rockets to its end. Is it ironic that it’s taken from an album titled “Hello, I’m Doing My Best,” when it’s so painfully clear Barter’s delivering her best work? I’m genuinely asking... Alanis Morissette really screwed with my understanding of what irony is. Killing it as always, Ali Barter. Total jam. Can you play on my EP? (Matt Bond)

#67. NOT ANGRY ANYMORE

by Thelma Plum

You can try to make amends

Tell the world that we're still friends

But was it worth it?

I was lucky enough to see Thelma Plum live earlier this year and during the show, in between songs, she told lots of little tales of herself and her life and as she so sweetly does, giving lots of little glimpses into who she is and who she wants to be. It was so nice to hear her talk of past tales and future dreams and what it’s like to text Paul Kelly accidentally and tell him you’re so nervous you’re going to be sick. But the secret about Thelma Plum that you get to know once you see her live telling those tales, is that you don’t really need to hear the tales to tell who she is, because if you want to know, she puts it all out there, right in the songs. Humble and sweet sit perfectly alongside broken and empty, which also live with exasperated and the opposite to that in this song, not angry anymore, each as important as each other.  There’s never anything to hide with Thelma Plum, and that’s one of the things that makes me such a big fan. (Jo Michelmore)

#66. MODERATION

by Florence + The Machine

Can't hold it back, I can't take the tension

I'm trying to be good

It was a bold choice for Florence + The Machine to add ‘Moderation’ to their setlist before it was released in the ENCORE slot. As the non-album cut started playing during Florence’s performance at the Brisbane Riverstage at the start of the year I couldn’t have been alone in looking around and thinking, “what’s this all about?” It didn’t take long for the entire crowd to get right into this even though they hadn’t heard it before. This is rock and or roll, it sends Florence’s voice soaring and takes you along for the ride. There’s nothing moderate about it, but like our leading lady says, who do you think you’re talking to? We want what we want from a Florence + The Machine song. We want it to be dramatic, shameless and over the top. And that’s everything ‘Moderation’ is. Please don’t ever change, Lady Flo. (Matt Bond)

#65. EYES TO THE SKY

by OKENYO

Save the best oh yeah

For last but not the least oh yeah

I read something about OKENYO and someone referencing her “signature swag” and I was like, what even is a signature swag and how do I go about getting myself one? Are you born with it, or can I learn it? OKENYO has swag in doubles and triples, making her brand of hip hop sound like she woke up like this, completely effortless cool. And here I am sitting in my pjs with a cup of tea writing words about her. That's my signature swag. (Jo Michelmore) 

#64. EVERYTHING I DO IS REPLACED BY TWO

by Jeremy Neale

We were building a dream

Now it's over

Swinging guitar pop and a way with words, Jeremy Neale has never disappointed with his brand of straightforwardness, his keen observation of the absurd and his way of turning those things into riffs and harmonies and hooks that are born to be heard and made to sway to. He wears his pants high and his heart on his sleeve and ultimately, they are both very important things we can all learn from. (Jo Michelmore)

#63. ANOTHER DAY

by #1 Dads

Lay down just don't lay down

Let this be a little song for you

I’ve got a whole bunch of things I think about one of Tom Iansek’s other things, No Mono, after stumbling into a gig of theirs earlier this year, which I’ll discuss later in this little countdown of ours (spoiler alert), but for now, this thing; #1 Dads. The clip as sparse as the song, ‘Another Day’ is a really nice example of how little is needed to make an impact sometimes. Nothing unusual, just a sweet little swinging tune with a winning whistle in the middle, there’s nothing confronting but all comforting and it's so very pleasant. (Jo Michelmore)

#62. PARTY FOR ONE

by Carly Rae Jepsen

You don't want my love, if you don't care about me

I'll just dance by myself, back on my beat

I was a little late to the Carly Rae reinvention party. See, I was thinking she was running around finding new ways to record ‘Call Me Maybe’ (a certified banger) and she sort of disappeared form the mainstream eye and also disappeared from everywhere I’ve been consuming the musics. But I should have been actively seeking this reborn C Jepsen, the Robyn of a new generation. Like the super gay friendly electro Queen that came before her, CRJ put her one hit wonder ways behind her, threw her amazing personality into her tunes and became a dancehall goddess. It’s a whole thing, you haven’t done it? Everyone’s doing it. You should do it. I’ve done it. It was a thing. Anyway long story short or whatever that TL;DR thing is... I should have been on board the Carly J express this whole time, because it’s banger after banger like ‘Party For One’. Give it a listen and say to yourself, “here’s another banger.” You won’t regret it. (Matt Bond)


I don’t know what to make of Carley Rae Jepsen, because if you look at music in a traditional way, she’s pretty much a no one hit wonder. But music (thankfully?) isn’t traditional in any way, so if you look at views and likes and online such things, she’s a bit of a big deal. If you ignore that song that you know, even though it was perfect pop in itself, she’s a perfect definition of pop music; bouncy beats, quirky relatable lyrics and colourful clips. ‘Party For One’ is all of those things. Perfect pop. (Jo Michelmore)

#61. ROBBERY

by Lime Cordiale

 


Wait that's her, stop that girl

How flippin’ good is it to see all the success that Lime Cordiale have found over the past couple of years? It’s pretty damn flippin’ good. Oli and Louis Leimbach have been churning out top notch, quality tunes and this trusty and true method of being musically awesome is winning them more and more fans with each release. We’re expecting to hear them more than once when it comes time for the Hottest 100 and you just know ‘Robbery’ is going to be on that list. Everyone’s going to be shouting along to, “hey that’s her, stop that girl!” And you’re going to love it. (Matt Bond)

Top 119 Songs of 2019, #110 - 101

#119 - 111

#110. I FEEL BETTER BUT I DON'T FEEL GOOD

by Alice Skye

It might not seem like much but I'm hurting now

I’ve said this sentence so many more times in my life than I care to admit. Alice Skye says it in a much, much prettier way than I ever could and makes me feel much more better-er and almost close to good-er-er when I hear it. And this is why music is so important and this is exactly why I love so much music so much. (Jo Michelmore)

#109. DEMON

by Mark Harding





And people say it's the land of opportunity

Mark Harding has this amazing talent, a way of painting pictures with sounds that transport me to familiar places I’m not sure I’ve been, beats of confident hesitation and slow notes I almost mistrust. Lyrics that transport me to so many places, some of them beautifully bathed in golden light, some of them hazy and gloomy; his music is so comfortably Australian it makes me homesick for places I’ve never been. If only I had his talent I could explain how much talent he has. (Jo Michelmore)

#108. GIVE ME THE NIGHT
by Essie Holt





I won't find the key to your feelings
But I know that I'm going to break in

“You look up, you look down, you look up, you look down (repeat)” It was those words that hooked me on this song from the first time I heard it, which is funny because it’s exactly how the whole song feels; poppy and light, with a shadow overriding, dancing with your back against a wall. Essie Holt has managed to capture atmospheric and equally grounded, moody and overjoyed all at the same time and she’s managed to squish it all into two minutes and fifty one seconds of greatness. (Jo Michelmore)

#107. IN MY ROOM
by Frank Ocean


 


Quit being violent with me
You make me violent

I’m not going to pretend I’m on the Frank Ocean can do no wrong bandwagon, but I’m not going to pretend I don’t at least sorta kinda maybe like pretty much everything he does. Last month a couple of new Ocean tracks were released to much twitter fanfare, but as hopefully everyone has figured out by now, Twitter is pretty dire as a platform (said by someone who uses it to get the ‘news’). I probably couldn’t tell you the name of the other one (DHL?) but ‘In My Room’ holds a nice vibe, it’s pretty chill, dope one might say. Or not?  (Matt Bond)

#106. SKIN
by San Cisco





Was it the way I behaved
To try and make you stay?

San Cisco, you reliable teen babes. Sure they’re likely young adults now, but they’ll always be teen dreams to me. Remember when they were releasing stalker anthems and then super dreamy indie bops and it’s like 10 years later and now here they are... releasing stalker-y, super dreamy indie bops. I can dig it. Like their contemporaries, Ball Park Music, San Cisco only get better with age as they bestow gems like ‘Skin’ on us that reflect their maturing world view. There’s beautiful guitar lines in this too. What more do you want? (Matt Bond)

#105. SAD DAY
by FKA twigs





Take a chance on all the things you can't see

Art. What is it? What’s it all about? Is there such thing as musical art? Yes, obviously. That’s why we callperformers musical artists. It’s not like how Subway has sandwich artists who are unable to express themselves in any unique ways. Musical artists can get all experimental if they want and as an example of this, here’s FKA twigs and her trippy beats and it’s all very arty... but it’s also just good music that, like the title suggests, is going to make you have a sad day. Or since art is subjective, maybe you’ll take this in a completely different interpretive direction and be happy? See. Art. (Matt Bond) 

Perhaps I haven’t been paying as much attention as I should, but I’m unsure what happened to FKA Twigs in the years between LP1 and her second album, Magdalene, released late this year. The reason I mention this is because I’m unsure at what point exactly she became Kate Bush. For the younger kids playing along, Kate Bush was an art/baroque rock/pop singer/songwriter from the 70s and 80s who sounded much like….FKA Twigs. Has anyone seen either of them in the same room at the same time? No? Has anyone noticed bushes are made of sticks and...twigs? The FKA Bush conspiracy theory continues. (Jo Michelmore)

#104. SILVER
by DMA'S





It's funny that I think of you right now
Knowing all the years that turned to clouds

Never one to shy away from admitting they are extremely late to the party, I can finally say in 2019 I’m a big fan of DMA’S. I can’t even explain how I’ve managed to avoid them all this time. Not listening to the radio much helps. But I did hear ‘Silver’ and now I’m kicking myself for not getting into them sooner because this makes me really, really happy. Like smile on the face happy. Are all the DMA’S songs this romantic? I look forward to finding out for myself. (Matt Bond)

#103. NICK CAVE
by Thelma Plum





I don't hate her, I hate you
It's not her fault, this one's on you

A little bit awkward and a whole lot sad. This reminds me of some of Thelma Plum’s earliest releases that captured that first sentence so well, as only she can. It’s kind of crazy to think Plum has been releasing for the last decade and we’ve only just seen the release of her debut album, but it’s also genuinely amazing to see an artist that can still capture the same magic in a song after all this time. ‘Nick Cave’ finds Plum is the role of the other woman, albeit reluctantly and willing to call old mate out on being a dick for putting her in this position. Unenviable and forgivable...  but working at Mrs. Flannery’s? Don’t know about that, Ms. Plum. So much to love and one of the best singalong choruses of the year. (Matt Bond) 

 

 

There is a special something that incredible artists and incredibly good pop songs all share – the ability to be relatable. There is a line in this song that tells the tale of one of the most relatable situations anyone with a social media account will have either been in, or dread. And if you’ve heard the song, you know the line, which is as amusing as it is horrifying, much like social media itself. Thelma Plum's brand of pop is exactly as pop should be; totally relatable, totally incredible, totally the best. (Jo Michelmore)

#102. THE REAL THING
by Client Liaison





Everybody's a winner
But there's more to reach than just the finish line

I’ve never been quite sure whether Client Liaison are absolutely taking the piss and have made a very successful career out of it or whether they’ve managed to travel through time and bring their fashion to the future, that is now, with them, or whether the other option, they just really like the 80s. To be honest, I’d be happy with any of these options, because those 80s synths and mullets are a welcome feel, in any decade. They manage to make pop positive without being overbearing, keeping dance battles and funk riffs alive in a world that can sometimes feel too much number 101 than number 102. Don’t tell me you don’t love it. No offence Lana. (Jo Michelmore)

#101. CALIFORNIA
by Lana Del Rey





You said to a friend that you wish you were doing better
I wanted to reach out, but I never said a thing

Over the past couple of releases, Lana Del Rey has really carved out her own space in the musical world. She knows what her brand of music is and she’s not afraid to stick to it... in fact she keeps getting better at making the music that is so uniquely her with each new album. Maybe that’s why “Fucking Norman Rockwell” finds itself on the nominees list for Album of the Year at the next Grammy Awards. And it’s really no surprise it’s up for top honours when it has songs like ‘California’ that take a detour from your standard pop fare to tackle how to be a good friend to someone struggling with their mental health. There might be the standard Lana Del Rey dreamy vocals and vintage references in the lyrics for days but it’s sweet and effective and worth every single replay it has you hitting. And it’s probably the least California inspired song to have California in the title, so that’s a nice change of pace too. (Matt Bond)