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Showing posts with label Lanie Lane. Show all posts
Showing posts with label Lanie Lane. Show all posts

Sunday, 24 August 2014

Top 25 - 24 August, 2014


Our Man In Berlin, Megan Washington + Jack Colwell!


1. Tkay Maidza - U-HUH  (4 weeks at #1!)


 


2. Our Man In Berlin - Cirrhosis (NEW)


 

3. Eliza Hull - Caught (NEW)


 

4. Curxes - Valkyrie


 

5. Megan Washington - My Heart Is A Wheel (NEW)


 

6. MKO - Puddles


 

7. Montaigne - I Am Not An End


 

8. Jack Colwell and The Owls - Seek The Wilde (NEW)


 

9. Wafia - Alice (NEW)


 

10. Tulane - But I Say


 

11. Harts - Red and Blue


 

12. Little May - Dust


 

13. Wilding - Missing Her (NEW)


 

14. #1 Dads ft. Ainslie Wills - So Soldier


 


15. Battleships - You Can't Change It (NEW)


 

16. Bec Sandridge - Over The Sea





17. Jessie Ware - Say You Love Me


 

18. Lanie Lane - Celeste (NEW)





19. Coach Bombay - Girls


 


20. Kimbra - Miracle





21. Avec Sans - All of Time (NEW)


 


22. Violet - My Dress Hangs There (NEW)


 

23. Mirror Talk - 1997


 

24. Jim Lawrie - Just Like Normal


 

25. Chelsea Wolfe - Lone (NEW)


Saturday, 22 December 2012

2012 Scene Awards - Australian Artist of the Year



Lanie Lane!


AUSTRALIAN ARTIST OF THE YEAR NOMINEES:


Tame Impala




2012 Release: Lonerism 


Admit it... when you hear a song from Lonerism you are overcome with a feeling to dust off your old tie-dye tees and hippie pants and party like it's 1969. While there are many Australian acts capturing the sounds of days gone by, Tame Impala's signature brand of psychedelia can be so authentic you actually have to remind yourself you're listening to an album released in 2012. With Tame Impala's debut, Innerspeaker, they commanded Australia's attention, winning the J Award for Album of the Year. With Lonerism, they've captured the attention of the world, walking away with the J Award once more, as well as top honours form NME and Filter Magazine. These crazy kids from Perth have done us proud. (Matt Bond)   


Lanie Lane


 


2012 Release: (Oh Well) That's What You Get (Falling In Love With A Cowboy) - Single


A little bit country, a little bit rock, a little bit blues, a whole lot of adorable; Lanie Lane has had an impressive year. Released late last year, her album To The Horses really began to receive the attention it deserves this year, she played her own national tour as well as numerous festivals, was nominated for awards at both the ARIA’s and APRA’s and now, her most impressive nomination for our Scene Awards. To The Horses has been an album I’ve played time and time again this year, I get that lyric “oh well, that’s what you get for falling in love with a cowboy” stuck in my head all the time (even though that’s something I haven’t done) she’s got a style that’s all her own and as well as all of that she’s totally delightful and engaging at her gigs, which I’ve been lucky to see a couple of times this year. She’s catchy, she’s cute and I’ve got to adore someone who can write a ballad to their guitar. Oh, did I mention she’s worked with Jack White? You know in my world that makes everything a thousand times better, but ok, even without that, she’s awesome anyway. Lanie Lane love. (Jo Michelmore) 


Gay Paris




2012 Release: The Demarcation of Joseph Hollybone - Single


Gay Paris get my vote for Australian artist of the year for three important reasons:
1. Making music to thrust to. Seriously. You just can’t help but move your hips.
2. Front man Luke’s skill of being able to de-pant without removing his shoes. This is even more impressive when you consider that these pants are skinny leg jeans.
3. Amazing live shows. Have you seen them live? If not, there’s your New Year’s resolution! Be prepared for crowd interaction and capes. (Katie Langley)


Sarah Blasko




2012 Release: I Awake


Representing Seeker Lover Keeper as defending champion in this category, Sarah Blasko earned her nomination with an album that is certain to define the career of Australia's most fascinating female artist. The funny thing is, the same was said about her second release, What the Sea Wants, the Sea Will Have. And third albums As Day Follows Night. Blasko sets the bar higher with each release and then smashes through your expectations with a collection of songs even better than the last. Album number four, I Awake, takes you on an unforgettable journey that speaks to your heart, mind and soul. It has moments that will kick you down and moments that will lift you right back up. It can be just as mysterious as it is dangerously honest, telling an unfamiliar story one second and then your own the next. Her brilliant and mature songwriting is matched in the sounds created by Bulgaria's New Symphony Orchestra; a move that you can't help but applaud. Not once does Blasko seem lost alongside the 52 piece orchestra, with her words and sweet voice somehow finding even greater resonance amongst the beautiful strings and thundering percussion. I'm not sure how she's going to top I Awake, but I know she will. I can't wait to hear what comes next. (Matt Bond)   


Texas Tea




2012 Release: Sad Summer Hits


If I was to write a list of all the things I’d loved about 2012, there would be a whole lot of loving for this little band I’m so glad to have found this year. Calling them indie/country just doesn’t seem to do them justice, because there should be other words added with that label; words like ‘fabulous indie country’ or ‘amazing indie country’ or ‘heartbreaking indie country’ or ‘can’t get enough of them indie country’. Their third album released this year, Sad Summer Hits, has become part of my everyday existence, Heart Says Yes (Head Says No) is a song that quickly made it to the top of my most played list, The Alphabet Song is one I quickly learnt all the words to and I Don’t Write No Sad Songs is indescribable, Kate and Ben’s vocals entwined around each other’s is spine tingling and having seen them play live a couple of times I’m desperately waiting to see that magic again and again. There are some musicians that are made for each other and Kate Jacobson and Ben Dougherty have this incredible ability to complement each other’s talents perfectly, their impeccable song writing skills are a testament to that. When I first heard Sad Summer Hits in October I said that it would be an album that would define a season for me, and I was right, it has. Two months on, I’m totally and wholeheartedly in love, Texas Tea have become one of my favourite Australian artists and hopefully one that the rest of the world will fall in love with soon enough too. (Jo Michelmore) 


Gotye




2012 Release: Making Mirrors (International Release)


The biggest song of the year in the United States, the most streamed song on Spotify in 2012, #1 on the JJJ Hottest 100, an ARIA Award win for Album of the Year (plus five more wins on the night), three Grammy nominations and over 358 million YouTube views for 'Somebody That I Used To Know.' You tell me... did Gotye have a good year? The other songs he released in 2012 may not have set the world on fire, but what he's achieved with 'Somebody That I Used To Know' in international markets is unimaginable for a local act. The best thing is, you feel that he's deserving of the overwhelming success that's come his way. (Matt Bond)  

2012 AUSTRALIAN ARTIST OF THE YEAR:




WINNER: TEXAS TEA
Runner-Up: Sarah Blasko

2011 Winner:
Seeker Lover Keeper
Runner-Up: Gotye


2010 Winner:
Sia

Saturday, 2 June 2012

Gig Review - Lanie Lane (31/05/12)





LANIE LANE
Live at The Hi-Fi, Brisbane.
Supported by: Steve Smyth and The Rubens
Review by Jo Michelmore



A cold night in Brisbane, it would have been easy to stay inside on the lounge wrapped in a blanket and sipping a hot beverage. As a general rule though, I think live music is worth the effort and this gig was no exception. My lounge called but my legs took me to the rainy streets of West End, where I was so happy to enter the warm doors of The Hi-Fi and lucky to witness the sweet sounds of Sydney’s Lanie Lane.

Opened by Steve Smyth (what an incredible voice, this guy is one to definitely check out) and The Rubens (I ‘liked’ on these guys on the Facebook while they were playing to remind myself to check them out later; solid blues-ish rock, the ‘like’ wasn’t a lie, I actually did like them!) but the punters were here to see one gal and they weren’t to be disappointed.

Right on time, the black curtains covering the stage were pulled to reveal a charming understated set adorned with pretty Day Of The Dead skulls and metallic mexi-style bunting. Her three piece band and an excited Lanie quickly appeared, running onto stage in a fabulous rainbow beaded jacket and tiny silver sequined shorts. She’s the epitome of cuteness with her beautiful guitar draped around her neck. Lanie launched into the incredibly catchy ‘What Do I Do,’ an awesome, fun song to set the tone of the rest of the evening. Bouncing around the stage and giggling with her band members, it’s obvious Lanie loves to perform and this love was completely and totally reciprocated by the devoted audience from the opening keys of the first song. Her band are incredibly tight, her drummer Paul Derricott (or, as Lanie calls him “DERO!”) and her double bass player Zoe Hauptman were a pleasure to watch. Her guitarist Aidan Roberts was outstanding and clearly such an incredible talent. Lanie spent much of the night interacting with him, at one stage even on her knees as they played together. It was nice to see a band who clearly admire and respect each other’s skills. (There must be mention of an absolute highlight, Lanie and guitarist Aidan performing a version of Aidan’s song , ‘The Drug,’ written for his own band, The Maple Trail. It’s a track I’d never heard before, but it gave me goose bumps; the lyrics are so beautiful and I was so glad it was on iTunes so I could download it as soon as I got home.) They swing and rock their way through an hours set, including the brilliant ‘Betty Baby’ (who doesn’t adore an ode written for a guitar?), ‘The Devil’s Sake,’ ‘To The Horses’ and we were also treated to a new song as well as her cover of The Black Keys' ‘Gold On The Ceiling.’ Lanie is super fun to watch. She chatted between songs about how her best friend was in attendance, about making forts in hotel rooms and how everyone has an inner Vicki (and her inner bogan Vicki even made an appearance). Leaving the stage for only a minute before they all bounced back out, the encore just didn’t seem enough. I could have watched for another hour and another, what a lovely way to spend a Thursday night.




Gigs like Lanie’s are one of the reasons I love live music. Sometimes it’s mind-blowing and fireworks and dancing, sometimes it’s swaying and goose bumps and comfortable. This one was a little of all of those things. Lanie Lane made the night feel like a long conversation, giggles and beverages with a friend in their lounge room and it was the perfect way to spend a winter’s eve.