Top 119 Songs of 2019, #80 - 71

#119 - #111

#110 - #101

#100 - #91

#90 - #81

#80. RE: STACKS

by Gretta Ray and Dustin Tebutt

This is pouring rain

This is paralysed

I love Gretta Ray’s voice. I love Dustin Tebutt’s voice. So is it any surprise that with their powers combine I would have any other reaction to 'Re:Stacks' other than loving it? After individually releasing brilliant EP’s last year, Ray and Tebbutt had a much quieter 2019 as far as releases go, but ‘Re:Stacks’ isn’t any less impactful. Their voices fit together in such a beautiful way against a simple arrangement and take the best of both artist’s previous releases to form a unique whole. It’s the reserved heartbreak of Ray’s ‘Towers’ or ‘Time’ against the quiet hope of Tebutt’s ‘All Your Love’. It’s everything a duet should be and leaves you wanting to hear more and more from two of the best singer/songwriters out there right now. (Matt Bond)

#79. ADOLESCENT

by Jack River

You're drunk and wasted, I won't talk to you

Stumbling through the room

Right or wrong, I've always thought of Jack River as a bit more indie-pop than anything else, but there’s a bit more grunge in this track which is channeling the Americana style of the Juliana Hatfield’s or the Heather Nova’s and the Liz Phair’s of the 90s (which can be names you should google if you’ve not heard of them), or, alternatively you could listen to ‘Adolescent’ over and over, which wouldn’t be a bad idea, considering how catchy those riffs are. (Jo Michelmore)

#78. MISSING YOU

by Ingrid Michaelson

And I don't wanna be dramatic

But your, but your lips are like a drug and I'm an addict

Who would have thought Ingrid Michaelson could take her love for Stranger Things and turn it into a concept album that’s just another fantastic Ingrid Michaelson album? No one saw that coming. If you’re a fan, you probably didn’t see her moving as far away from the indie-adult-contemporary sounds that have defined her career and pulling a Robyn to become an electronic Queen either. But here we are, it’s 2019. Up is down (the upside down?), left is right, the world is on fire. But Michaelson owns this moment and with ‘Missing You’ has released one of the most endearing (and sadly underrated) dance anthems of the year. And that one shot video? Dead. I’m not really sure what stan culture is, but I stan a musically versatile Queen. (Matt Bond)


“He’s got his hand in all the right places, but the wrong face is in front of me...” Congratulations to Ingrid Michaelson for writing what I think is one of the cheesiest opening lines of the year, but also congratulations for writing one of the poppiest pop songs of the year. Pop this good is exactly where cheesy lyrics should live, and the synthy sounds of ‘Missing You’ feel like they should live somewhere between the top of whatever charts it is that happen these days and on stage at Eurovision. And anyone who knows me and anyone who doesn't should know that’s one of the biggest compliments I can give. (Jo Michelmore) 

#77. OBSESSED

by Hatchie

Hung myself out to dry until you let me in

That's when I knew, I'd clip my wings, do anything for you

Hatchie had a huge 2019 that saw her sound go global on the back of the release of her super fun debut, Keepsake. That album would quickly become one of our favourite LP’s of the year and with throwback pop gems like ‘Obsessed’ it shouldn’t come as a surprise. It builds on 90s pop’s trippy bridges and beats and dreamy vocals and a chorus that you could just float away on with modern electronic touches and Millennial attitude. It’s the angst that’s missing and with the way things are right now, we don’t need any of that. Just the sweet admission of a little healthy obsession for that special someone. It’s all so dreamy and I can’t get enough of it. (Matt Bond)

#76. I AM

by WAAX

I didn't cut you off, you phased me out

And that's fair enough, I'm breaking down

I'm going to spend the next two songs speaking of incredible female vocalists, so welcome to the first at number seventy six. Here we have WAAX, one of my fave bands of the year. If it were the 70s and I was listening exclusively on vinyl then my copy would have a giant groove dug through it from being played over and over and over and over and so on and so forth, if that’s how vinyl works. Such an awesome album, filled with drums and guitars that burst from my little speakers, screaming with all the rage of the 90s, but all of the character of 19, I haven’t been able to get enough of WAAX this year. Also, they are from my hometown. Bonus points. I am such a fan. (Jo Michelmore)

#75. KEEPING TIME

by Angie McMahon

Oh, I want the time to stop

So I don't have to grow

I listen to ‘Keeping Time’, it comes to an end and all I feel is excited about the many years of music releases ahead from Angie McMahon and how I already know I’ll get the same excited feeling from all of them. Her talent, her voice and lyrics, the guitars, the atmosphere... this is yikes going to sound so cliched and probably lame, but it makes you feel alive. I’m sorry? I’m not even sorry, songs like ‘Keeping Time’ speak directly to your soul or whatever concept you’re going with of what makes you ‘you’. It makes me want to be surrounded by friends and screaming along. It really does make you wish that time could stop. Angie McMahon has such a bright future ahead and I can’t wait to be listening along. (Matt Bond) 

Imagine having the voice of Angie McMahon. Like, imagine that being the sound that your vocal chords make. Like, imagine the body you own being able to make sounds like that. Like, imagine having that voice and then having the ability to write songs like ‘Killing Time’, and then being able to perform them exactly the way they should sound. Like, imagine knowing you had the talent of so many greats before you, the Chrissie Hyndes and the Patti Smiths of the world being people you can be compared to. Imagine that! Impossible I know. Instead, just imagine being alive in the world when songs like Angie McMahon’s are released. Don’t imagine. Just enjoy. (Jo Michelmore) 

#74. IN CONTROL

by Baker Boy

And the darkest days won't last for ever

Even brighter days come sooner or later

I’d like to make it clear that I love Baker Boy. So don’t expect to read some kind of unbiased review of his music here. There is absolutely nothing he has released or done that I don’t adore. Every track another collection of beats and sounds and words and grooves that make me move, make me smile and make me a bigger fan with every note. I don’t know if there’s some kind of tricky thing that music producers and programmes do to give him that cheer squad every chorus in this song, or if they were actual people, but I’d like to join that cheer squad because quite simply; Baker Boy is the best. (Jo Michelmore) 

#73. YOU WERE RIGHT
by Julia Jacklin

Started feeling like myself again

The day I stopped saying your name

Julia Jacklin sells the hell out of both the good and bad to come out of saying goodbye to a friendship that just isn’t working anymore. Especially the good to come out of it. It’s a lot more thoughtful than a simple ‘screw you’ coda to this relationship, but you’ll cheer all the same as Jacklin recounts being finally able to get into what her former pal enjoyed because now she wants to, not because she’s having things forced down her throat. ‘You Were Right’ barrels towards a rather abrupt ending. It’s like that moment you finally put an end to a relationship you’ve outgrown. Brilliant. (Matt Bond)

Giving your song the title of  'You Were Right' is a pretty smart move, because I can’t name many people who don’t like hearing that sentence, which makes this track likable enough as it is. But add the story of Julia tearing herself away from someone, whatever their relationship may have been, and you can’t help but cheer her on and wonder just who the band was she heard when she “started listening to your favourite band and I stopped listening to you”, because she can’t have started listening to her own album Crushing, which is something I’d listen to should I be exiting a situation like she is in said song, could she? Sometimes I probably think too much. Just enjoy the song. (Jo Michelmore) 

#72. FALLING DOWN

by Harrison Storm

Always felt this could get dark

Held on 'cause things change fast

If you've been reading this countdown with any regularity you'll know Mr Storm appeared a little earlier on. So let's just reflect on everything I said about him last time, back at number 90, and reapply all of those thoughts to this track, then double them, and add in a dash of pensive and a whole spoon of heartache, because he certainly creates all those feels in 'Falling Down'. And then add this to that long list of songs I spoke about last time, and I love. (Jo Michelmore)

#71. FINAL FORM

by Sampa The Great

Only four years, fantastic

Young veteran, new classic

Straight. Up. Fire. From the moment ‘Final Form’ kicks off, you know Sampa The Great’s latest musical masterpiece is going to be one hell of a ride. Free flowing rhymes full of a swagger and confidence that’s virtually infectious, unapologetic cries of ‘black power’ and an artist firmly coming into her own. This feels momentous, like you’re witnessing a moment in history we’ll look back on when Sampa takes over the musical world and we can all go, well of course this was going to happen. It’s just that I really don’t think we’re even close to seeing the final form of Sampa The Great. This isn’t the peak, this is the rise from the self-proscribed ‘young veteran, new classic.’ I can’t wait to see how Sampa The Great tops this with what comes next. (Matt Bond)



Top 119 Songs of 2019, #90 - 81

#119 - #111

#110 - #101

#100 - #91

#90. RUN

by Harrison Storm

And let's hide away from it

Try escape from it

Harrison Storm joins a long list of male singer songwriters this decade that have created beautiful atmospheric sounds, as melancholy as they are joyous and as folk as they are blues. His music can be included in a long list of sounds that conjure images of the everyday and images in our minds of people we wish we were and places we want to be, or run away or from. Above all else, ‘Run’ can be placed in a long list of songs that I love. (Jo Michelmore)

#89. HOPE IS A DANGEROUS THING FOR A WOMAN LIKE ME TO HAVE

by Lana Del Rey

I've been tearing up town in my fucking white gown,

Like a God damn near-sociopath

Lana keeps doing Lana and as much as you can read words about new key influences and new American tragic inspirations and reinvention, the thing that Lana does best is being Lana, which is a quirky questioning of our ways, thoughtful introspective sounds and an air of oh so slightly dramatic, and if that works for Lana, then as they say, or have recently said, you do you Lana. It’s all very charming. (Jo Michelmore)

#88. BIG HIT

by Mark Harding

You say it makes you hurt

It's your fault you feel that way

We love Mark Harding because he’s out here making music that’s just so unlike anything else... and it’s also very good. Songs like ‘Demon’, which popped up a couple of posts ago, and this one right here, ‘Big Hit’, are so cinematic. Listening to them is like watching an awesome film set in the Wild West that just so happens to be a metaphor for dickheads who go for a night on the town looking to punch someone in the face. Well, it’s not really so much a metaphor as the lyrical content of the song, but even that sets Harding apart from the average story in a song this year. But there’s nothing average about Mark Harding, who continues to grow as a songwriter and performer. The best is still yet to come from one of our favourite guys. (Matt Bond)


Mark Harding is a musician, but also an incredible artist, so if I was an art critic or this was an art blog, I’d write words about colour and shape and simplicity and feelings of soulfulness and gloom being entwined within each other in the dark and light of Mark Harding’s works. I’m not an art critic, I’m not even a music critic, I just know what I like and more importantly, I know what I love. Mark Harding’s art and music can be included in both of those categories. (Jo Michelmore)

#87. CHEAP QUEEN

by King Princess

I've been alright

I've just been doing the same shit I've always liked

You can tell King Princess is from New York because her music is so effortlessly cool, tres chic, full of attitude without being pretentious. ‘Cheap Queen’ is all of that, with a healthy dose of self deprecation to boot and, as an out of touch old person, that’s always nice to see from one of the youths I enjoy listening to. Even if they’re into making grown men cry, as KP signs a couple of times during the track. Well, jokes on you... it doesn’t take much these days. Ha! (Matt Bond) 

#86. FLAME OR FLICKER (DEPARTURE)

by Machine Age

And I won't waste one thought on you

I won't go out of my mind

Waiting for you

During last year’s countdown, Machine Age promised us they’d be releasing more than one track in 2019 and they only went and outdid themselves by releasing a whole album of Machine Age goodness. Yep, Adrian Mauro and Dylan Stewart delivered unto us their debut album, Point of Departure and it was everything we thought it would be and more. After making your way through some bangers, old (‘Fighting’ and ‘Chivalry’) and new (stay tuned), you arrive at the final track, ‘Flame or Flicker (Point of Departure)’. Literally and figuratively, since it’s the last song of the album so buh-bye and what could only be the heartbreaking conclusion of a once beautiful relationship. Mauro sings through a mature and considered response to his world crashing down around him. A quiet, devastating moment seems perfect to say goodbye to Machine Age for now. Hopefully it won’t be goodbye for long. (Matt Bond)

#85. TAKE THE GOLDEN

by Winterbourne

But if you're losing let me know

If you're hurting let it show

Well well well, here I was just chilling, or whatever it is the kids do these days, with Winterbourne doing that lovely and comfortable thing they’ve been doing since forever, or about 2014, whichever comes first, and here I am, thinking this is rather inoffensively pleasant when bam, where did that funk riff appear from? We were just settling in and then it appeared and lifted me up and carried me away and straight through the next two and a half minutes of exactly what they are singing about, golden vocals and a surprisingly swinging beat. Whatever it is they’ve been doing in the last few years, I suggest keep on doing it. These are musicians going to good and great places with songs and surprises like this. (Jo Michelmore) 

#84. RUINER

by Methyl Ethel

Yeah, that's not good enough

That's not good enough

Once upon a time I was gifted a ticket to Laneway, and although I appreciate these kind of gifts immensely, I made what ended being the mistake of accepting said gift and attending the Laneway festival, fully clothed, fully sober. What an experience. That’s a story for a whole other time. Methyl Ethel graced the stage at said festival and although I’m unsure 80% of said audience knew or cared about who played what stage, I’m quite glad Methyl Ethel played, because it means they keep making music and songs like this one. Influences from times so far away from Laneway 2019, theirs is a brand of music that takes it’s time to grow and gradually makes it’s way into your consciousness, a subtle kind of addictive sound, so very likeable. Unlike the experience of  a Laneway festival, if one is attending for the music, instead of the fashion. (Jo Michelmore)

#83. WOLF

by Big Thief

Now, as far as we can see

The water's getting deeper

Big Thief released two critically acclaimed albums throughout 2019. I too achieved things by eating a whole large Dominos pizza and garlic bread by myself in one sitting. Big Thief released this dazzling song ‘Wolf’ that includes the sweetest howl ever recorded, as performed by Adrianne Lenker. I also found great success by watching all of The Good Place over the course of a single weekend. Music stars... they’re just like us!  Only in Big Thief’s case, they’re so much better. Well, better than me. (Matt Bond)

#82. LOSING MY MIND

by Montaigne

Who I am was not my plan

Flown so long, I've forgotten how to land

Being the amazing friend that she is, Jo bought me a ticket to Montaigne’s recent show at The Zoo in Brisbane which was absolutely brilliant. Montaigne was already an engaging performer during her debut’s touring cycle, but this time around there’s an increased focus on the performance aspect of her live shows. It was like a performance art show combined with those insanely fantastic soaring vocals... so good. So very good. I particularly loved the live performance of ‘Losing My Mind’ that had everyone singing along to the boppy chorus and screaming along that, they too, were not fine. As one prone to often thinking they’re losing their proverbial marbles, I gotta say I’m feeling you Montaigne and whether we should be celebrating that or not, I think we can all agree that Montaigne’s talent is so obviously worthy of celebrating. So let’s just focus on that, shall we? (Matt Bond)


“I can barely breathe, I can barely breathe, I can barely eat, I can barely eat, I can barely sleep, I can barely sleep, I can barely move my body…”etc.  For me, these were the standout lyrics on Montaigne’s second album Complex, the song I listened to a million times over, dreamt of seeing live and sent to Matt with love heart emojis. Sometimes love heart emojis are reflective of real life emotions, sometimes dreams come true. Montaigne, I love. (Jo Michelmore)

#81. DANCING WITH A STRANGER

by Sam Smith and Normani

Look what you made me do

I'm with somebody new

I’m just going to admit something here, it has taken me almost twelve months to figure out that this is not, in fact, a sequel or a prequel or any kind of quel to Robyn’s (long time fave of mine) ‘Dancing On My Own’, released almost ten years ago. That catchy song was also about dancing, in retaliation to someone else’s actions, which has me questioning all these people dancing in defence for the past decade, because isn’t pop like Sam Smith’s good enough to dance to without revenge? And by the way, if you are dancing with strangers, take some personal responsibility, no one actually made you do that Mr Smith, or Ms Normani, for that matter. You did that yourself. Everyone, just chill out with the retribution and enjoy the dancing. (Jo Michelmore)



Top 100 Songs of 2018 - #70 to #61

The Kite String Tangle, Florence + The Machine and Amy Shark!

#100 - #91

#90 - #81

#80 - #71

#70. COUCH

by Eves Karydas

Something tonight makes me ambitious.

The artist formerly known as Hannah Karydas/Eves/Eves The Behaviour and currently known as Eves Karydas had a huge 2018, culminating in the release of her debut album Summerskin. The album stands as one of the finest of the year, with huge pop hooks and electronic jams from one of Australia's brightest exports. 'Couch' was the second single to be lifted from Summerskin and it's ready made for the Netflix and Chill generation... sleek, sexy and there's a couch involved and that's where we all do our best TV watching, yes? Netflix and Chill is about TV watching, yes? As someone that's spent an unhealthy amount of time on the couch watching what seems like every television show ever created, 'Couch' really spoke to me in 2018. Seriously though, 'Couch' is a lot of fun and it's not even the best track on the album... we'll come to that a little bit later. (Matt Bond)

#69. PANIC ATTACK

by Liza Anne

I never learned to pull myself

Out of my own damn head.

I don't know why, but I somehow convinced myself that Liza Anne was from Melbourne, but she's actually from Saint Simons Island, Georgia in the USA. Maybe there's something about her incredibly relatable lyrics that makes it as if Anne could be your next door neighbour or the rocking Aussie indie vibes that made me think this... but I'm wrong (shocker, right?) and I'm sure Saint Simons Island is lovely and will have to visit one day. Anyway, the first time I heard 'Panic Attack' I was in love with all things Liza Anne and had this song on repeat for a long, long time. I'm still going back to it regularly because, even though it feels like even the listener is about to be visited by that old friend anxiety, the music is still incredibly inviting and Anne's voice is something else. Fine But Dying, the brilliant album that 'Panic Attack' comes from, sees Liza Anne tackling her emotional and physical issues head on (in this instance, panic disorders) with incredibly nuanced results. (Matt Bond)

Admittedly, I know very little about Liza Anne, but I do know that very few songs have to ability to speak in ways like they understand you, because they find a place in your head that doesn’t get visited that often, thankfully. But there’s a set of chords and a series of words in this song that does all of those things; their simplicity hiding a deceptively complex process; “This feels like a hot summer night, in a turtleneck, I think I wanna die, but I guess I know I’m fine…” and you’ll know if you know what that means, that you’ll love this song when hearing those subtle words. And here’s kind of hoping you don’t understand. In the nicest way possible. (Jo Michelmore)

#68. DON'T TURN AROUND

by Amy Shark

You just never know, we might dance slow

At somebody's wedding that we used to know.

As I write these words, Amy Shark has just won a bunch of ARIA’s, so it seems kinda silly for me to be sitting in my lounge writing a few words when she clearly has the adoration of a nation beside Matt and myself, but it’s just really nice to know that sometimes dreams do come true, and watching Amy Shark’s dreams unfold has been an absolute delight. On a slightly different topic, note to self; do not enter into a relationship with Amy Shark should the opportunity arise, because one is bound to become the subject of a popular song. Just saying. (Jo Michelmore)

#67. 20/20

by OKENYO

Back to the love we had, I'd do it all again

I'd do it all again.

I’ve got such a dream that one day I’ll randomly switch the ol' telly over to ABC Kids and find (Zindzi) Okenyo on the ol' Playshool, throwing down some old school nasty beats for the kids, rapping in amongst the cardboard creatures, crepe paper streamers and Jemima. I’m sure Jemima likes some hip hop beats.  Not to mention Humpty. But I digress. 20/20 is both sweet pop and superb hip hop and an indication that Okenyo isn’t going to be able to be one of those old school PlaySchool hosts who spent a hundred years hanging out with those toys, because she’s got some old school new school incredible hip hop to be working on too. (Jo Michelmore)

#66. FEELING YOU

by Harrison Storm

I won't let you go

Believe it, I mean it.

Why haven't I been hearing this all over every radio station the past couple of months? What's that all about? There's universal appear in Harrison Storm's 'Feeling You' that should have it on the j's, the Nova's and the 4KQ's (or AM equivalent to wherever you find yourself). Storm has never sounded better than right here and now and I'm pretty sure everyone, with the exception of the seven people that have down-voted the video, will love this from the first listen. So if you haven't already, go and listen to 'Feeling You' and continue to stream it, buy it, request it on the radio... do whatever you gotta do to get this one out there. (Matt Bond)

What a set of ten songs. Two songs by a Shark and one by a Storm, I’m really, really hoping that’s his real name. Like, he was destined to become an artist in some form or other, and with those falsetto notes in 'Feeling You' it’s pretty obvious he had to sing. I’ve got a lot of songs to write about and I can’t google all of them, but if you find out what his real name is, don’t tell me. I like to think he’s a singer by day, some kind of superhero at night. Meanwhile, super good song. (Jo Michelmore)

#65. SKY FULL OF SONG

by Florence + The Machine

From what I've seen so far

The good ones always seem to break.

Us mere mortals continue to be unworthy of the goddess that is Florence Welch. Here's some supporting evidence from the YouTube comments section of 'Sky Full of Song' - "She's a real life siren. I could drown and die in her voice and I wouldn't fight it." "Jesus christ I just had a soul out of body experience. Wow." "After listening to this I just realised that I haven't felt an emotional connection to a song for so long. This just made me feel things again." See... an ACTUAL goddess that is healing people while also possibly luring them to their deaths. Are you not entertained?! 'Sky Full of Song' introduces us to the High As Hope era for Florence + The Machine and found the artist and band at their most stripped back and vulnerable. It's still as perfect as what's come before, but there's even more focus on Welch's voice, arguably the best in the business, and there's not a single thing wrong about that. (Matt Bond)

#64. ENNUI AND ME

by The Kite String Tangle

So you run for cover, cover up your tracks

Until you can find yourself another, with a better pain.

There’s a line in this song, repeated; “You put yourself through hell, just to feel alive, just to feel alive…” which poses interesting philosophical questions, regarding something about what price happiness, is delight worth pain, is to feel alive to feel anything or something or is the feeling of nothing a feeling in itself etc. etc. etc, but when The Kite String Tangle repeats such lines; the sound of strings pushing along the beats, the words floating around, you can’t help but be taken to other places in your mind where everything is peaceful and the questions take over. Taken from his mini-album; The Kite String Tangle Presents: In A Desperate Moment, I can’t help but listen and ask all the (un)important questions…what makes a mini album a mini album and not an EP? What is human existence? Do eleven tracks make a mini album or a major album? What's the real difference? Will anyone other than Matt read these words? (Jo Michelmore)

#63. TAKE IT TO THE HEART

by Odette

I got nothing but power, I'll strike you like lightning.

Breaking out in a massive way in 2018, Odette delivered unto us one of our favourite new voices of the year and a sound that won't be denied. 'Take It To The Heart' can be found on Odette's debut album, To A Stranger, a must-listen for fans of... well music. Because no matter what your musical inclinations are, songs like 'Take It To The Heart' are so easy to get behind. Let is wash over you, get those toes tapping and enjoy the ride that Odette takes you on for just a little over three and a half minutes. Then hit repeat and do it all over again. (Matt Bond) 


I’ve got no idea what the kids are listening to these days, so the first time I heard Odette was actually her Like A Version cover of Gang Of Youths ‘Magnolia’, which was quite lovely, should you wish to youtube that. Also lovely is the sweet, sweet pop that Odette does a lot of, apparently. Ah the things you learn on your phone. Her debut album, To A Stranger is filled with piano, strings and vulnerable lyrics and this one’s got all of those as well as the beats that make you wanna move away from said phone and dance. Just hit that ‘+ADD’ button on your preferred streaming service before you put the phone down. You won’t regret that. (Jo Michelmore)

#62. SATELLITE

by Dustin Tebbutt

I'm a satellite for a fading fire

I'm a satellite for you.

You know, technically a satellite is an artificial body orbiting to collect information, which means the lyrics stating “I’m a satellite for a fading fire, I’m a satellite for you” suggests Dustin Tebbutt is either a little bit stalky, or a little bit sweet.  Let’s go with the former and assume the best, because the uncomplicated, beautiful sounds that are Dustin Tebbutt deserve to be circling the whole earth like those satellites we speak of. (Jo Michelmore)

#61. I SAID HI

by Amy Shark

And I lie awake, thinking what's it gonna take

For my moment to arrive, so sick and paralyzed.

Given just how popular Amy Shark has truly become over the past year, I don't think it's necessary to cover the journey she's taken to get to where she is now. Or that 'I Said Hi' must feel like the most perfect, passive-aggressive fuck you to anyone in the industry that never gave her a chance to get there sooner. Or that seeing Shark living her dream now gives hope to a whole bunch or artists that might have felt like they're never going to get a chance at all once they find themselves waving their twenties goodbye. Instead, let's just put on 'I Said Hi', celebrate all things Amy Shark and say "hi" to everyone we've ever wanted to say "hi" too. Hint: "hi" is code for fuck you right now, k? (Matt Bond)

                   

Top 25 - 30 March, 2015

Torres, Ruby Boots, Japanese Wallpaper + Elizabeth Rose!

1. Torres - Sprinter (NEW)





2. Tired Lion - I Don't Think You Like Me





3. Japanese Wallpaper ft. Airling - Forces (NEW)





4. Avaberee - Can't Get You Off My Mind





5. Harrison Storm - Be Yourself (NEW)





6. Ruby Boots - Wrap Me In A Fever (NEW)





7. Big Smoke - Try A Little Love





8. Adria - Falling (NEW)





9. MYAMI - Soldier (NEW)





10. Banff - The Great Unknown





11. Elizabeth Rose - Another Earth (NEW)


 

12. Lupa J - Waiting For Her





13. Okenyo - Just A Story





14. Muse - Psycho





15. Life Is Better Blonde - Mine





16. The Japanese House - Pools To Bathe In (NEW)





17. Bad Pony - White Russian





18. BAD//DREEMS - Cuffed and Collared (NEW)





19. SAFIA - Counting Sheep





20. Florence + The Machine - St. Jude (NEW)





21. The Kite String Tangle - What If





22. Tame Impala - Let It Happen





23. Jamie xx ft. Romy Madley-Croft - Loud Places (NEW)





24. Karl S. Williams - Is This Love?





25. Muse - Dead Inside (NEW)