Top 113 Songs of 2013, #90 - 81

#113 - 101

#100 - 91

#90. Everything You Wanted

by Clubfeet





We used to walk,
Used to walk like we were free. 

Clubfeet deserve a lot of love. They produce these classy synth-pop jams like 'Everything You Wanted' and work with creative people like those at Oh Yeah Wow to make awesome clips like the one you can watch above. But they also deserve a lot of love because the five lads that make up the group have names you wish you had. Yves Roberts. Sebastien Cohen. Monty Cooper. Benjamin Le Bruce. Cameron Sydes. I think my new alias is Monty Le Bruce and I owe it all to Clubfeet. (Matt Bond)

While I wanted to sit down and write something about Clubfeet as a band and the song ‘Everything You Wanted’, I just can’t mention the song without mentioning the clip. Don’t get me wrong, the song is good, but the clip is wow. I love how simple it is and yet so effective and if you haven’t seen it, go on, press play, because even if you hate the song, you have to be at least mildly impressed with the clip. Or you could have no soul. Either way, press play. (Jo Michelmore)


Very cool video clip to accompany a cruisy, uplifting indie pop track. Rad doods. I guess I’m a sucker for cute guys in suits playing hooky. (Nayt Housman)

#89. Primetime

by Janelle Monae ft. Miguel





See I've been waiting and waiting for the time to say,
Now listen babe... 

There aren't enough words to describe how amazing Janelle Monae is. She can do anything and everything, dip her toes in a thousand genres and styles, owning them all. On 'Primetime' she treats us to an old school R'n'B slow jam and, alongside Miguel, delivers one of the best vocal combos of the year. Monae's performance is sexy in a way most popular artists couldn't achieve. It's not direct in a 'I'm going to jump you/sit on your face/pop a bottle/twerk it" way. Every bit of sexy is in the delivery. The words? They're all class. Miguel more than holds his own in the man-voice stakes, no easy feat given the power Monae can bust out. 'Primetime' holds a nice little Prince vibe too, especially in the latter half when the electric guitar comes in. That's no surprise too, given Monae's longstanding admiration for 'ole Princey pants. Gentlemen, the next time you have a lady love in your shanty-like apartment and want to set the mood, light some candles and say no to Robin Thicke's 'Blurred Lines'. Play this and it'll be 'Primetime.' You're welcome. (Matt Bond)

The sleek elastic groove of this song is not one that I normally prescribe to. R and B is not really what gets my groove on. Janelle Monae however could be singing country and western (yes AND western) and she would have my ears willingly. She’s just a little bit of a star in my books. Love when she hits the top notes. And a duet to boot – bit of a win win here. This song is easy listening and I like it. (Lou Endicott)


Janelle, OH Janelle… She sure knows how to make some ridiculously good pop music without sounding, like a clone, or alienating and while injecting some pretty poignant social commentary in a slick, nutritious package. 'Primetime' is so freakin' silky smooth, just sweet enough, not too rich though totally delectable, put it in my mouth so I can chew its echoey, romancing tunes. Oh and remember people, we are NOT robots for anyone else’s personal pleasure. You get me deep Janelle. (Nayt Housman)


“Oh hell yeah” was my first thought when I heard the opening groove to ‘Primetime’. There’s no doubt about it – this is a song for sexy times, with a partner or maybe a solo adventure. Whatever floats your boat. Janelle has an amazing voice – what a talent! (Katie Langley)


There are some artists that make you automatically cool just because you know they exist and there are some songs that make you feel cool just by listening to them. Janelle Monae is one of those artists, ‘cause she’s amazing and talented and beautiful and not afraid of being more R’n’B than even R’n’B can handle and ‘Primetime’ is one of those songs that has cool written all over it. Even sitting in your pyjamas in front of your laptop with toast crumbs on your keyboard, your hair like a birds nest and chocolate on your face, the cool has automatically rubbed off on you as soon as the bass line starts. See how all five of us with all our different tastes here at It's My Kind Of Scene like Janelle Monae? That's 'cause we're all cool. Or something. In fact, even if you haven't pressed play, just by reading this review, you’ve suddenly got a little bit cooler. Good for you. (Jo Michelmore)

#88. Like A Kid

by The Trouble With Templeton





Can't help but sigh when I'm alone and feeling lower...

Like I haven’t written enough this year about how much I absolutely lose control over the brilliance of Thomas Calder and his creation called The Trouble With Templeton. Like A Kid is a rock laxative and makes me lose it all over the place. It’s dynamic, passionate, twisted, loose in the head and theatrical, a combination that pretty much describes, well, me actually. How could I not love this? I adore the film noir vibe that Calder favours for the video clips and the sad clown in this takes the cake for best character. That’s not to say the corpse bride and zombies aren’t endearing in their own way. This is in my personal top five. (Nayt Housman)


First up gotta say I ADORE the film clip to this track. In another lifetime I used to teach Tom Calder in a drama class. Even back then his sense of humour and fun combined with dramatics always tickled my funny bone. The clip is one of my favourites of the year and so is this song. It has that 80s throw back that has me thinking of a new Split Enz mixed with a whole other flavour of rock. Love love love this song. (Lou Endicott)

Nayt had the pleasure of interviewing The Trouble With Templeton's creator and all round good guy; Thomas Calder, just before their first full length album; Rookie, was released in August and they chatted about fans, touring and film clips, among other things.


Rewarding are the spectacular videos for ‘Six Months In A Cast’ and ‘Like A Kid’, which are a collaboration by a close-knit group of friends including Tom’s brother, Josh Calder who films and directs the videos. Tom explains, “I always like to listen to other music when I’m thinking about song clip ideas. It’s a weird meditative process where you let your thoughts go, write stuff down and eventually something always comes out. I think film clips can really add something to the song, another dimension. We always try our hardest to make something that services the song well and that is never literal, it’s just a feeling.”

#87. Retrograde

by James Blake





Suddenly I'm hit,
Is this darkness of the dawn? 

Mind. Blown. The only thing about 'Retrograde' being amazing that surprises me, is that James Blake still manages to find these tricky little ways to amaze me. And, like, I know James Blake doesn't make music to make me swoon personally, but he's good at doing that. I'm sure listeners around the world also got their swoon as the first time they heard 'Retrograde'. And every time after that. (Matt Bond)

I spent the first part of ‘Retrograde’ feeling surprised and confused. “Wow, James Blunt has really changed his vibe” I mused. The beautiful vocals were a dramatic departure from the usual nasal sound – that was my first clue I had it all wrong. I’m so sorry James Blake! ‘Retrograde’ has real soul, and I can feel the passion oozing from James. I really don’t mean that to be as creepy as it sounds. (Katie Langley)

Devastatingly, gorgeously, breathtakingly and internally destructive is James Blake’s voice. Retrograde brings me undone like removing my control garments after a night at Sizzler’s all you can eat pig trough. “Suddently I’m hit, is this darkness in the dawn, and your friends are gone, and your friends won’t come.” FUCK. I’m crying again… Stop I can’t handle writing this review. James Blake is amazing. Just listen to it yourself. In further news James Blake’s voice has been studied as a potential cure for cancer… (Nayt Housman) 

#86. As You'd Begun

by Battleships





And when all is said and done,
And the stars reach setting sun,
You'll be nothing as you'd begun. 

Can someone explain to me why I'm not hearing 'As You'd Begun' every five minutes on the radio? Well, no one wants to hear a song every five minutes (unless you're in the Nova crowd), but in the immortal words of the Black Eyes Peas, where is the love... for Battleships. I don't think I've met one person who hasn't heard 'As You'd Begun', felt an instant connection and loved it. So why, when I turn on the radio, am I not hearing this song? Someone needs to do something about that. Listen to it, feel that connection and then request, request, request. With the talent they've got, these guys should be a whole lot bigger than they are right now. (Matt Bond)


Thumping drums, catchy guitar riffs and delicate keys underpin the serene “helium-esque” vocals, which carry on this year’s tradition of summery, atmospheric pop rock bands taking Australian  airwaves by storm. 'As You’d Begun' is longing and somehow sadly optimistic. I think of sitting on my balcony whilst looking out over the tops of the trees to the horizon and contemplating where I’m at, who I am and what I’ve become. Deep. (Nayt Housman)


It’s the keys that start it all, but it’s the beats that get you first and the manic drumming that I love. Then you notice the voice of Jordan Sturdee, then suddenly you realise there’s some guitars happening that sound more like a feeling than a sound and everything builds to a peak at two minutes and just as quickly as it builds it disappears and while all of that is happening there’s an emotion in the lyrics that make it less of a rock song and more of a journey. There are songs and then there are stories and Sydney’s Battleships have proven they understand both with this little track. Totally splendid. (Jo Michelmore)

#85. Tonight

by Phebe Starr





Tonight I fall into your arms,
Telling secrets to the stars... 

Phebe Starr just keeps on getting better and better and 'Tonight' sees this incredibly talented artist taking it to another level. The track courses through your entire body, with the drums kick starting your heart as the heavy, booming synths make you want to move your entire body to the beats of the music. Starr's continues to excel lyrically, offering up another beautiful mystery to unravel, with words that feel like they're taking you on a journey through the universe. "As I sail across the sky, hold me close into the night, let us stay here and become dreamers." In a way, it reminds me of 'Alone With You', but only in the sense that I just went on a space age adventure that I won't ever forget. As for her vocal work, she soars to new heights and I am loving it. Hopefully we get to hear so much more of this into 2014! (Matt Bond)

If I say this, I know some people aren’t going to get it, but I say it with only the utmost respect and admiration for an artist I really like and I’m not just saying it because I happen to have done something involving this thing earlier this year. Phebe Starr’s ‘Tonight’ is fabulous and whenever I hear it I can't help but think it was made for Eurovision. It’s dramatic and pop and light and dark and I can just see it being performed so well with a bunch of underdressed well-choreographed dancers and Phebe, probably bare feet, but dressed incredibly well, in some kind of elaborate gown with giant shoulder pieces. It’s so good. SO good. I know, you think I’m taking the piss don’t you? I’m not. Genuinely, fabulous euro pop by a gal from Sydney…..it’s all so very good. (Jo Michelmore)

#84. Running Out

by Avaberee





You know that piece by piece,
I can put myself back together... 

Pop is loving the 80s at the mo and Avaberee manages to incorporate the best of obviously 80s synth sounds without heading down the cheesy path (not that there is anything wrong with cheese). In fact Running Out is some slick, fun and dare I say pretty pop, that makes me want to dance around like a fairy (the winged kind… Actually…) with my friends in the lounge room after drinking too much creaming soda. Has anyone seen my hair crimper and pirate shirt? (Nayt Housman) 


I really enjoyed Avaberee’s 2012 song “Lover of Mine” for its superb vocal work. These girls are just a bit too awesome in my books. “Running out” is another stand out track again as it utilises the gorgeous harmonies Avaberee are so good at. The mix of quirky pop synth contrasting with the sweetness of voice definitely appeals to the 80s throw back that I have been stuck in this year. (Lou Endicott)


I kinda hate mentioning it, because it’s just so popular at the moment, but the people who are doing it well are doing it really, really well and Avaberee are no exception to that. It’s the synth thing which is so popular at the moment, which was just the way things were in the 80s, but have become another  thing now. Avaberee combine that synth sound with some pretty awesome harmonies; these girls have voices stronger most and they know how to use them, entwining their three voices around each other in a smooth, not at all confusing way. SO smooth in fact, it’s hard to figure out how many voices there are and how awesome they are. Let’s just say, amazingly awesome. They’re from my hometown too and I’m loving the amount of hometown goodness in this countdown. Biased? Probably, but they’re all really good, so there. (Jo Michelmore)

#83. Ain't It Time

by Rainy Day Women





It's not good for my health,
It's not good for yours. 

Don't you feel like you've been thrown backwards in time for a couple of minutes and then yanked right back? Rainy Day Women's 'Ain't It Time' is retro cool, a throwback to the swingin' pop of the 60s. Before having heard the track and doing a bit of reading into the gentlemen from Perth that make up the band, if you had played 'Ain't It Time' to me and told me it was from the 60s, I probably would have believed you. Alright, I wouldn't have... but I would have entertained the thought. (Matt Bond)


I spent a large portion of this year trying to figure out who Rainy Day Women are (large portion could be an exaggeration). Ok, I spent a couple of minutes trying to figure out whether Rainy Day Women were a group of women who only played on rainy days, or who liked rainy days, or something. After some time (two or three minutes, at the most) I discovered they are in fact, a group of five guys from Perth, who are not women, but I don't know what their thoughts are on rainy days. All of these thoughts were forgotten pretty quickly when I heard their track 'Ain't It Time' because it's cute and I like it, lots. It's vintage-y goodness quickly found a way into my psyche and fits perfectly in my vintage-y lifestyle. I chatted about them to a friend who also asked about their name and who  they actually were, but they forgot about it when I played them the song, because they liked it, lots. Then later I had a conversation with Matt about why they were called Rainy Day Women and the whole thing started again...I still like the song though, lots; rainy, days, women or not. (Jo Michelmore) 


When Rainy Day Women played BIGSOUND earlier this year, their guitarist, Ross Pickersgill was kind enough to answer some questions for us about how they got together, how they wrote 'Ain't It Time' (and something about the Rainy Day Women TV special, to be aired in thirty-three years time).


Ross: (Ain't It Time) came together over the course of a two night stay down south whilst we were scouting out a recording location. It was a very organic and fun song birth, we hope people can hear that in the song!

#82. Swing Left

by Jeremy Neale





And I walk past the place I once called my home...

It's Brisbane's most popular male artist, Jeremy Neale! Songs like 'Swing Left' make it very easy to understand why Neale took out the fan voted Queensland Music Award earlier in the year. His voice is ridiculously good and, much like many of our favourite artists from 2013, manages to combine everything great about retro music while adding some modern twists. It also makes you want to do the twist, if you're into that kind of thing. So there's that. With triple J getting firmly behind young Mr Neale, hopefully we'll get to hear a bit of 'Swing Left' in the upcoming Hottest 100. Aka, hint hint, vote for it. Now. (Matt Bond)


Wait, where are we? What year is it again? Surely this must be the top 66 songs of 1966 and we’ve got to be somewhere near number one, right? There is so much retro in this little number, I don’t even know where to begin. I feel like I wanna say things like “this is so decent, daddy-o, dig?” but that would be a bit weird, so let me just give you the skinny. If you don’t already know the name Jeremy Neale, what rock have you been living under, man? Get familiar, quickly, because with release of his debut EP In Stranger Times recently, he’s on his way somewhere. I don’t know where, but it’s going to be somewhere primo and you’ll probably want to go along for the ride. (Jo Michelmore)
 

#81. Love Is To Die

by Warpaint





I'm not alive, I'm not alive without you,
I'm not alive, I'm not alive without you. 

I love me some good rock chicks and Warpaint deliver some soft rock goodies in Love Is To Die. Echo? Check. Mournful vocals? Check. Shimmering drums? Check. Angst riddled lyrics? Check. According to Warpaint, love is dying and staying alive and also dancing but not dancing. This makes total sense to me. Ah makes me feel like a teenager again. Well the only good bit about my teens anyway which was listening to angsty rock chicks. (Nayt Housman) 


They returned late in the year, but having Warpaint back at all is sure to make A LOT of music fans happy. The L.A. based band deliver another gripping rock track with 'Love Is To Die', an almost suffocating track. It feels like pressure is lightly being applied to your throat, with the intensity increasing as the song progresses. Let it wash over you. Consume you. There's a lot to love about Warpaint. Maybe I wouldn't go the whole, "sure, I'd be happy to die for you, ladies," route the title of the song might suggest. But there's a lot of love here. (Matt Bond)
 
 

Top 113 Songs of 2013, #100 - 91

Tkay Maidza, Panama, Molly Contogeorge and Our Man In Berlin. AUS music kicks butt.

#113 - 101

#100. Words

by The Raffaellas

I find you where you want to go,

And I'm still searching all the time... 

A Melbourne based band that writes and performs excellent, catchy and fun tunes that will make you want to dance and have a great time. It's like the oldest story in the books these days. In your face Epic of Gilgamesh (literary reference win)! Yes, there is a lot of great new music coming out of the hipster capital of the world, but we've developed a special affinity for The Raffaellas, who stand out from the crowd with tracks like 'Words'. Not only does it make you want to dance and have pretty great time, it gets you with its 'smarter than your average' lyrics. Or words. Ha. Get it? (Matt Bond)

You say you're unfamiliar with these so called Raffaellas. Well, let the band tell you a little bit about themselves from their interview a couple of months back. 

The Raffaellas: Well there are four of us – two guitars, bass and drums. Doug Ross is to lead guitar what Brian May was…to lead guitar…though Doug, a mid-to-well seasoned classical guitarist, knows the instrument backways and brings a certain classical finesse that really has no place in the band at all but we have all come to tolerate and maybe, one day, will grow to love. Michael Ratten is similarly technically gifted on the kit, with a jazz-drummer flare for emphases and ghost notes (which he swears are there but no one else can hear), though his comically burdensome height means that by the time stick hits skin, there’s sufficient force to really test out some of the better live sound systems in Melbourne. Best thing about James’ bass playing (that’s James Raimondo for those playing at home) is that he’s not a bass player. He plays keys…which we don’t have… it’s confused, but his musical genesis is in writing songs and melodies which makes for really melodic bass lines- it’s a plus. Plus, he does know his way around a ‘fret’. Pat Santamaria backs the whole operation up on rhythm guitar and puts his best foot forward behind the mic. Though, generally speaking, it is singing, he has been told he croons a lot and other times just does a lot of yelling in tune (put that down to his love of Little Richard). Match that up with James’ mid-tenor pipes and Doug’s groin-shattering, freight train of a bass voice (at least 3 octaves below Barry White) and you’ve got yourself a harmony, which we like doing too.  

#99. Stones

by Bec Sandridge

My mind is gone, like a rolling stone,

Out the window.

She has a voice from somewhere other than right now and a sound that’s a little bit indescribable. If you were to combine a waltz beat from a western movie set in the late 1800’s and mix that with a voice that could fit into a bar scene in a 20s war film, then mix that with some 70s feeling lyrics and you might have Bec Sandridge. I haven’t done a good job of describing her, have I? Ok, mix all of those things together and imagine they sound comforting and sad and hopeful and fabulous. There. That’s this song and that’s Bec Sandridge. Don’t believe me? Press play. You’ll be confused and impressed and you’ll love it too. (Jo Michelmore) 

 
We were only introduced to Bec Sandridge and her track ‘Stones’ late in the year, but the timeless charm of both singer and song sure did make an impact quickly. I didn’t really pay attention during music theory, but I think the song is in 3/4 which would make it a Waltz, am I right? If that is right, then ‘Stones’ is one mighty, lyrically rich and heartbreaking ‘Waltz’. I honestly can’t choose what I love more; Sandridge’s voice or words. Luckily, I don’t have to choose since we get Sandridge singing her words in her voice. Everyone’s a winner! If you love hearing sad songs on the radio, you’ll fall as quickly as we did for ‘Stones’. (Matt Bond)

It seems to me, someone smashed together Beth Orton and Joni Mitchell then out of the bloody gore that remained, Bec Sandridge was born. Just listen to 'Stones' and you’ll understand why with its poetic demeanour and folky attitude. Feels like summer is here and I suddenly have the urge to dance in a field of wildflowers. Anyone want to join me? (Nayt Housman)  

#98. One Type of Dark

by Ginger and The Ghost

Looking through the telescope I'm looking back at me...

Oh my, Ginger And The Ghost are the kind of band that craft songs, which immediately transport me back to my childhood. They induce the release of imaginative juices in my brain, and stimulate flutters of loveliness and whimsy in my soul. One Type Of Dark is one of those arty fairytales that make me feel a grand amount of envy that I didn’t think of making it first but then can’t help but get lost in the vibrant world created by this talented Sydney duo. Ginger’s child like voice is often reminiscent of Joanna Newsome which works wonders in telling fantastic stories and Ghost’s steely gaze and timid presence makes me want to capture him like a butterfly and just observe him for hours (a little bit pervey I realise). After discovering them at Bigsound this year, Ginger And The Ghost has become one of my standout bands of the year. So much love. (Nayt Housman)

For all of Lady Gaga’s attempts to blend ‘art’ and ‘pop’, the poor lass couldn’t dream of doing it as seamlessly as Aussie heroes, Ginger and The Ghost. Visually, Ginger and Ghost (try to guess who’s who… you’ll be pleasantly surprised) know how to grab your attention. Just take one look at the clip for ‘One Type of Dark’. The use of projections, the costumes, the glitter throwing… I’m enjoying all of that. But it’s the music that keeps me coming back for more. ‘One Type of Dark’ has a dream-like and fantasy quality to it, particularly in the verses, but the chorus is very grounded and shows a young artist wondering who she’s supposed to be and where she fits in the world. Ginger’s voice is gorgeous and perfectly matched by the music created by Ghost. Glitz and glam are great, but they can only take you so far. You need to back up the spectacle with music as fascinating as the visual world you’re creating. Ginger and The Ghost deliver in all aspects. (Matt Bond)

It’s no surprise that Ginger And The Ghost define themselves as visual artists, who bring the sounds of art to life, because, like a lot of visual art, there’s something a little bit confronting about the voice of Missy (I don’t know if Missy is Ginger or The Ghost) at the very start of this song. However, like a lot of visual art does, ‘One Type Of Dark’ has the ability to grow on you, if you stare for long enough something makes sense and like I’ve stood in galleries for hours staring at things on walls, I’ve slowly grown to appreciate the sounds this duo from Sydney make. It’s probably the strings that convinced me, but it doesn’t matter what it is, I like it and the title indicates a question that should be contemplated over a beverage in a gallery or a bar filled with some art; “is there just one type of dark?” I don’t know, but it’s a question fellow blogger Nayt and I are bound to ponder over a Ginger And The Ghost soundtrack at some stage… (Jo Michelmore)

#97. Endless Drain

by Major Leagues

You're an endless drain and a waste of space,

Gotta get away, I gotta catch a plane. 

‘Endless Drain’ is a fun, catchy little ditty. One might describe it as garage? Maybe a bit surfy? I’m not going to get hung up on a label. All I know is that I was bopping along the entire way through the song. (Katie Langley)

Brisbane’s surf-rock scene delivered in a big way throughout the year and Major Leagues have played a big part in that. It’s fun in the sun, with more than a little bit of teen apathy thrown in for good measure. Lines about “looking for the one,” are delivered in a way that it almost seems like a chore for our spunky vocalist. It should be confusing, but that aloof delivery just makes it all the more interesting. It definitely makes you remember the endless drain of those teenage years gone by. (Matt Bond)

There’s a member of Major Leagues who reminds me of someone I used to know. I liked that person, but they had this strange habit of grabbing me in inappropriately at inopportune times, which wasn’t unpleasant, just surprising. This means that whenever I see Major Leagues, I have this unnatural reaction and uneasy feeling of glancing behind me to make sure I’m not going to be groped by an old ‘friend’ from behind. I digress, because this has nothing to do with this song, the song is great. A mid 90s influence and a sound to nod to and who doesn’t love a (mostly) girl group, especially one form my own hometown? Like. (Jo Michelmore)

#96. Always

by Panama

Always, I remember you,

Slow down, so I can follow you. 

When I wrote about this song earlier this year, I wrote about the clip and I wrote about how much I adored the clip, because I did. It’s an awesome little story that starts nowhere and ends nowhere, but is so beautifully shot and told, it didn’t really matter that I had no idea what was going on. I even gave it five Nick Cave heads out of five, which is quite an impressive number of heads, actually. What I didn’t write about was how much I actually adore this song. The delightful keys combined with the layered vocals and the drums that kick in at about thirty seconds that drive this indie pop song toward absolute perfection are hard not to adore. I like the start and I love the end and I liked it when I first heard it, but now I love it. This is a band I am desperate to hear more from in 2014 and until then, this is a song that I will listen to again and again and again and....always. (Jo Michelmore)

I try not to look too hard into the story being told throughout the video for 'Always', because the way this one interprets it, it's a bit of a Debbie downer. Which surprised me, because the mood of the track is in direct opposition to that. When the chorus hits, I want to do a victorious fist pump that gets stuck in time, like in some trashy 80s movie. But then I pay closer attention to the words and there's a real resistance to that desire to fist pump 80s style because I'm being pulled back in the somber direction. I might be confused about the emotions Panama are trying to draw out of the listener with 'Always', but I'm certainly not confused about my love for the track. And I'm in complete agreement with Jo when it comes to the video. I might not know what's really going on, but it is beautiful to watch. (Matt Bond) 

#95. Second To None

by All The Colours

Close your eyes and drown in the glow...

Damn, I love it when it gets to the end of the year and you think about all the things you’ve heard all year and then you stumble across a song you totally forgot about and re-discover its greatness. Which isn’t to say that ‘Second To None’ is forgettable; it’s just it was released sooooo long ago (February was a long time ago in my world!) and it’s been a really good and really long year, ok? ‘Second To None’ was all a bit spooky and all a bit awesome, with a clip to match and well, I just need to say this. I love a band that dresses well. I mean, I love a band that don’t just show up to a gig or a clip in whatever they picked up off the floor that didn’t stink. I can’t say I know what All The Colours smell like, but they do dress well and this is often overlooked and quite important, to me. If they smell as good as they sound, they must smell delicious. Can we have an album soon, please? (Jo Michelmore)

Kinda dark, a little dirty, sorta dreamy, unique male vocalist, singing about the voices in ones head while wearing bow ties. I’m sold… Did you just call me a hipster? Whatever. That’s just like calling me a super hero but with a sexy moustache. But seriously 'Second To None' is some seriously beautiful shit, not like as in poo, but as in “dude this is the shit”. It’s equally cool as it is catchy and as danceable as it is cruisey. Like. (Nayt Housman)

‘Second to None’ is an awesome song, with catchy guitar and beautiful harmonies. The perfect song to drive to. Reminds me a little of The Dandy Warhols. (Katie Langley)  

All The Colours are another intriguing act to emerge throughout the year, with snappy indie/pop tunes and snazzy videos to match. 'Second To None' was our intro to this Melbourne band and what an intro it was. The music is so, so catchy. It just might be one of the catchiest songs of the year and I've had popping into my head at times where I'll think, "well that's inappropriate for this setting, but whatever." Joshua Mann's vocal work is a huge draw for me, but the other lads back him up admirably with some mighty fine harmonies. There aren't enough complimentary phrases to come up with for the black and white clip for the track, so just watch it for yourself and and fall for the old Hollywood charm within. If we did some sort of 'Artists to Watch in 2014' list, these guys would be at the top of it. (Matt Bond)   

Joshua Mann from All The Colours stopped by for a quick interview earlier in the year and, since the band's music has been described as "the soundtrack to a Tarantino movie that has yet to be made" we got him to give us the plot for said movie. 

Joshua Mann: I guess the plot would be a guy finding out that he is the saviour of the world. All the while falling madly in love with the heroine, and as the movie progresses it becomes painfully clear that he must choose between the love of his life or saving the world with the story laid out we would then see this dear fellow damn the entire earth for his lover. What a twist!!  

#94. Bad Boy

by Molly Contogeorge

My life's flashing before my eyes,

Quick, roll the credits. 

Pulling off a track that many listeners are going to compare to the sounds of 60s Motown girl groups is no easy feat. Unless your name is Molly Contogeorge. She makes it seem easy; a bit of call and response here, a whole lot of attitude there. 'Bad Boy' is jazzy, soulful and completely lovable. I can't say for sure, but I'm assuming one listen will have the ladies busting out their most sparkly dresses to compliment their new beehive hairdos, while the fellas will be slicking their hair back, donning a leather jacket and doing all they can to look like the bad boys of the ladies' dreams. If you haven't done yourself a solid and listened to Contogeorge's 2013 EP, Dames, there's no better time than the present. It's full of songs as brilliant as 'Bad Boy'. (Matt Bond)

‘Bad boy’ is sexy and sultry, and I can’t help but shake my hips and pout my lips. (Katie Langley) 

Molly Contogeorge managed to do a couple of things that impressed me this year. One of them was this song. It’s 60s soul swing, with killer harmonies and backing vocals was totally addictive and everyone knows I love a girl empowerment type song. I love the light and dark of ‘Bad Boy’ and I especially love the “bad bad bad bad bad” chant at the end, ‘cause if you can’t remember any other words then they’re pretty easy to sing along to. The other thing that impressed me though? If you haven’t already, google image search the cover for Molly’s EP ‘Dames’, which this song appears on. Yep. Loved the first time I saw it, love it now. (Jo Michelmore)

Anyone who can sing like a 60s chanteuse and fit the word “precipice” so smoothly into a tune gets props from me. I wanna hear her cover ‘These Boots Are Made For Walkin’ though I don’t want to typecast her or anything. Oh wait… I think I just did. Meh, just listen to 'Bad Boy', it’s darn tootin fine. (Nayt Housman)

#93. Airhead

by Our Man In Berlin

We might as well be astronauts...

If dream-pop is the flavour of the year then Airhead is the cherry on top, coz it doesn’t get much dreamier than this. It’s so dreamy; it’s like a whole bunch of puffy clouds that glide through the sky just at the right time and angles that they form the words “dreamy clouds” or like a school of beautifully coloured fish in a rock pool blowing bubbles that form the words “dreamy fish bubbles”. One warning though, consumption of Airhead may cause momentary episodes of bliss. (Nayt Housman)

I visited Berlin for the first time earlier this year. Two hours into the visit, I declared it my spiritual homeland and I spent some days there, with a stupid smile in my heart and in my mind the entire time. This means I may have a bias to a band called Our Man In Berlin. Luckily, they’re an incredibly talented bunch of musicians so my interest goes further than their name. These six musicians are in fact from somewhere far from Berlin, that place being Perth. I’ve never been there; maybe I might like it as well. I digress. Our Man In Berlin’s dreamy sounds are some that I’ve been addicted to this year and ‘Airhead’ is just a taste of how delightful they are. Mesmerising and wistful, they take me to a place far from wherever I am, distracting and beautiful, I just can’t seem to place exactly why I like them so much, but I guess that’s how I feel about Berlin too, so everything is just a perfect match, isn’t it? (Jo Michelmore)

Those that know me are familiar with my love of anything German. Suffice to say I felt an instant affinity to Our Man in Berlin. ‘Airhead’ is an absolutely gorgeous track. In fact, ich liebe ‘Airhead’. For me, I feel like I’ve struck gold, and I can’t wait to hear more from this talented five piece. (Katie Langley)  

I think it's safe to say that all of us here on It's My Kind of Scene would class Our Man In Berlin as one of our favourite new acts of the year. Which really does mean something, given how diverse our musical tastes are. You get why though, right? Their music is beautiful. Stunning. You listen to a track like 'Airhead' and never want it to end. In a time where acts like The xx and London Grammar are finding success, you can only hope Our Man In Berlin (who are genuinely at that level of blowing your mind musically) can find the same. They deserve it. (Matt Bond) 

#92. Echoes

by Eliza Hull

Heartstrings,

Pull me back to you,

Backwards,

And closer to you. 

Earlier this year, I remember describing Eliza Hull’s sounds as “a slow punch in the stomach” and while I don’t always agree with myself, with hindsight, I kind of think I described Eliza Hull almost perfectly (if I say so myself) because I still get that little gut wrenching feeling whenever I hear this track. Mesmerising isn’t a good enough word to describe it, but then, neither is dreamy, or delightful, or beautiful. It’s dark and yet still simultaneously comforting and only special artists can manage to combine both of those things in one song. Eliza Hull, along with producer Hayden Calnin, must be extra special, because they did it over and over with Eliza’s EP The Ghosts You Never Catch and this song was just one part of six songs that made up one of the most incredible EP releases of 2013. (Jo Michelmore)

I made a decision while listening to 'Echoes' earlier in the week. I need to stop describing anyone else's voice as hauntingly beautiful, because that should only be reserved for Eliza Hull. Her voice ridiculously good. I find every bit of emotion packed into that voice so affecting that it's only too easy to find a couple of hours disappear as I put 'Echoes' on repeat again and again. "Follow the map, follow the map to find you." Those perfect lines about joining the dots and following the maps that make up the chorus? They'll stick with you for a long time coming. A beautiful song by a beautiful singer. (Matt Bond) 

‘Echoes’ is as ‘Airhead’ is from Our Man In Berlin, dreamy, dream-pop but this time with a bit of Florence And The Machine-esque-ish kinda feeling and a music box tinkle thrown in for good measure. More like a memory than a dream, but still all fuzzy and lovely. (Nayt Housman)

#91. Brontosaurus

by Tkay Maidza ft. Badcop

It should be me you thank,

But you's still be rank. 

I have just listened to ‘Brontosaurus’ for the first time and I’m in love. There’s nothing complex or earth shattering about this song. The simple, repetitive lyrics and bloody catchy beat make the perfect recipe for success. And would you believe I’m actually stomping my feet like a brontosaurus… (Katie Langley)

These feet are definitely stomping like a brontosaurus! (r)Adelaide got just that little bit radder with the arrival of Tkay Maidza in 2013 who seems destined to take over Australia's rap and hip hop game and then the world. This young dynamo is waaay to cool to be tied down here and 'Brontosaurus' is more than enough to convince you she can compete with the best in the world. Tkay spits out rhymes like she's been doing it since she was born. Maybe she has! Anyway, she's so good, she made the sound system blow up at BIGSOUND. It couldn't handle her brilliance! Today Australia, tomorrow the world. It's Tkay Maidza's for the taking. (Matt Bond) 

This song makes me kind of angry. You wanna know why? Because I didn’t know of Tkay Maidza before BIGSOUND earlier this year and I didn’t get to see the ‘Brontosaurus’ magic then. I shouldn’t complain, because not a lot of people saw that magic either, after all, she was so great she blew up the sound system during her BIGSOUND performance with the amazing that she was, but Matt was there and says it was great. If she was anything like ‘Brontosaurus’ is, she would have been amazing, because this song is one I love. It’s simple, it’s catchy, it’s somehow a little bit aggressive but in a cute kind of way and it passes the K-Tizz ‘nod test’ with flying colours. I love a good girl rapper and if they’re Australian and I like them, then that’s even more impressive. Looking forward to seeing the Tkay Maidza magic when she tours across the country (or just a couple of cities, my hometown being one of them) in December. (Jo Michelmore)

See you tomorrow for ten more incredible tunes from 2013!

 

Top 113 Songs of 2013, #113 - 101

Bonjah, The xx and Eminem... three of our 2013 faves.

2013 has been another amazing year for music. It seemed like every single day (maybe more like week) there was something new being unleashed upon the world that was making jaws drop in astonishment. With so many heartstopping, twerk-inducing, party starting, soul shaking and/or tearjerking tracks released throughout the year, choosing 113 as the best was no easy feat. But it's a tradition around these parts, so we weren't going to let you down and leave you hanging without us putting our stamp on the songs of the year market. So, It's My Kind of Scene is excited to present to you our Top 113 Songs of 2013 countdown. Let's enjoy some music!

#113. Champagne

by The Stiffys

Because when you pop that bottle I have a really, really nice...

Now do the sexy dance. 

I remember the exact time I first The Stiffys. I was standing in Matt’s kitchen and he was sitting on his lounge, laptop on lap, as one does. He pressed play on ‘Champagne’ and we both said, almost at the same time, something along the lines of “Katie” The rest is history, really and although the sounds of ‘Champagne’ eventually grew on me, a little bit, it’s their other number ‘Katie/It’s My Kind Of Scene’ which I really love. That one was stuck in my head for days after I heard it. Why that didn’t make the top 113 is a conversation I think I need to have with Matt… (Jo Michelmore)

This song was brought to my attention late one night via IMKOS. I almost spat out the wine I was drinking at the time with laughter when I heard the lyrics. The guitar and rhythm got me hooked but the lyrics had me laughing every time. I love the vocal delivery and backing wails and the classic bluesy turn around. I have had it playing before with guests around and almost every time someone will say “What the HELL are we listening to?” To which I normally respond “Champagne anyone?”

“Now do the sexy dance”… I love these lyrics because those drinking too many champagnes may THINK they are sexy…. But evidence stacks up to say drinking while releasing inhibitions does not lead to great body coordination.

'Champagne' is a little bit naughty, a lot cheeky and a great little rockin’ late night anthem and one of my fave novelty songs from 2013. And it should be a jingle for a champagne ad. Definitely. (Lou Endicott)

I REALLY LIKE THE SONG KATIE BY THE WORLD'S BESTEST TWO PIECE THE STIFFYS BUT THEIR SMASH HIT SINGLE CHAMPAGNE THAT MAKES ALL THE GIRLS GO CRAZY IS PRETTY ALRIGHT TOO. If they can talk all in caps, I can talk all in caps. (Matt Bond)


Cocks and liquor. It was obvious I was going to love this song. I was prepared for the novelty factor that a band called The Stiffys with a song called 'Champagne' would offer, but I was pleasantly surprised by the talents of Jason and Adam. And I don't just mean their drinking talents. Or penis talents.

This Melbourne two-piece had me hooked with the opening riff. And with the reference to champagne being like sexy lemonade I couldn't help but nod in agreement. It really is. Why haven't I realised this sooner? I've found my new drinking song. It makes me want to windmill my hair whilst guzzling champagne from the bottle. I guess it had the desired effect. (Katie Langley)

The Stiffy's explained their love of champagne when interviewed by Katie earlier in the year...

Katie: In your song "Champagne" you liken those delicious bubbles to sexy lemonade. If that's the case then rum is like... ?

The Stiffys: RUM IS ALSO A GREAT WAY TO HAVE A REALLY NICE TIME BUT IT’S ALSO A BIT LIKE A TAXI RIDE TO NEW AND EXCITING PLACES THE LAST TIME THE STIFFYS DRANK RUM WAS IN MAROOCHYDORE AFTER A SHOW AND WE WOKE UP ON SOMEONE’S BOAT UNDERNEATH ALL THESE POOL NOODLES AND WE DIDN’T HAVE ANY STUFF ANYMORE AND WE WERE TAGGED IN ALL THESE PHOTOS ON FACEBOOK WITH SOME GUY SHOOTING A LEAF BLOWER AT OUR DOODLES WE MUST HAVE HAD THE BEST NIGHT YOU GUYS BUT WE LIKE CHAMPAGNE BETTER BECAUSE IT’S CLASSIER IT’S BASICALLY LIKE FUEL TO US      

#112. Black Cat

by Deep Sea Arcade

She's just a black cat, she lands on her feet.

This song is just so damn cool. How could you not like it? ‘Black Cat’ reminds me of an era gone by. A little bit of the Beatles. A little bit psychedelic. (Katie Langley)

This song always gets me rocking my head to and fro and pretending that I am driving a vintage car through the streets of London in the 60s. There is a distinct Kinks feel to this track. It’s gorgeous guitar, vocal effect and yummy upbeat drums make this one of the feel good songs of 2013. Deep Sea Arcade have there sound down pat with their delicious rock pops and easy to listen to lyrics and oh-so-groovy rhythms going on. This song is a fun one to listen to and has some air guitar worthy licks through out that makes for fun times. Essential for a summer party mix. (Lou Endicott)


There’s an intentionally and intensely catchy riff that starts this track, which continues all the way through the two and a half minute song. It’s bluesy and psychedelic, it’s 60s and 90s and it sounds somehow American and somehow British and funnily enough, Deep Sea Arcade are not from either of those places. Regardless, they smash all of those sounds together and somehow come up with super catchy little bluesy-rocky-indie numbers like this one that I was lucky enough to see live earlier this year. They were fabulous then and re-pressing play on this track now has reminded me just how good they are and how much I can’t wait to hear the rest of their sophomore album which will be released next year. Hurry up 2014! Want to hear it now!  (Jo Michelmore)

#111. Better Days

by Edward Sharpe and The Magnetic Zeros

I seen better ways, some won't believe,

But I don't need much more than faith. 

What would we class this as? Music that will bring a smile to you dial? What about music that will put a spring in your step? It’s definitely music that will you brighten your mood. Edward Sharpe and The Magnetic Zeros have the ability to do that probably more than any other act in music. Ever since they were singing about how, “home is wherever I’m with you,” they’ve been delivering little slices of musical joy to the whole world. ‘Better Days’ is no exception. You’re having a pretty crappy day? Don’t worry… this cult-like band sees better days ahead. I believe them and so should you. (Matt Bond)

I love Edward Sharpe’s voice. It has that distinct little trill thing going on at the end of each phrase. It’s very raw, very earthy and just a little bit sexy. The lyrics are honoured and sung with clarity and conviction in this track that I can't help but be engaged. The layering of sounds such as the bells, the backing choir, the men shouting “Huh!” underneath and the gorgeous drum rolls make this song feel like a classic not new music. I love hearing stuff like this still being made. It’s about crafting a journey within a song not just providing an atmosphere. This song is a pick me up for a blue day when the clouds are just too too much. Thank you Mr Sharpe! (Lou Endicott)

#110. Elevate

by St. Lucia

There's no way to wake up now...

Ok. I am a little bit in love with the sound of St Lucia. I think it reminds me of my childhood listening to the AM radio as I went to sleep. As a pre-teen laying in my bed at night, I used to imagine teenagers and young adults out there in the world going to see concerts and dancing the night away while I lay there on my bed listening to late night radio. I SO wanted to join them…

There is a sweet 80s slickness going on with the treatment of “Elevate” (as with all of St Lucia’s tracks). Cool little rhythm breaks, tight harmonies, a balance of male and female vocals and a killer chorus are just a few things I love about this track. I could imagine this song sound tracking a movie of the 80s era.

Singer/songwriter Jean-Phillip Grobler has that quintessential warmth and tone of an 80s leading vocalist. This music live would absolutely produce a sea of happy faces dancing and celebrating the night. I am so happy to hear that music like this is being made again as it makes me feel like I can still have wild imaginings and I now I can JOIN the party if I want!

"No one elevates you, elevates you now. No one's going to take you, going to take you there".

I disagree here, St Lucia - YOU take me there. (Lou Endicott)

 

#109. Together

by The xx

You said you don't have to speak,

I can hear you, I can feel all the things you've ever felt before. 

Romy Madley Croft and Oliver Sim take the tension of ‘Chained’ and ramp it up with even lusher production than usual from Jamie xx, to create a ballad like no other. ‘Together’ was the perfect fit for Baz Luhrmann’s adaptation of The Great Gatsby, capturing all the right elements of what make it such a compelling and tragic love story. Like many of The xx’s songs, you feel like you’re intruding on an incredibly private moment between the two vocalists, which makes us all dirty, dirty voyeurs. Especially YOU. Sim’s opening, Croft’s reply and their vocal union make way for a sweeping orchestral arrangement that was made for the cinema. And our listening pleasure.  (Matt Bond)


I didn’t see The Great Gatsby, because, well, let me just admit it, I’m not a big fan of film and more especially the Baz Luhrmann film. There’s one thing I’ll admit Baz does do well though and it’s the soundtrack. If it wasn’t Garbage or The Cardigans or any other number of artists from Romeo And Juliet, then it was Christina and the rest on the Moulin Rouge soundtrack. While I couldn’t quite see how the stripped back minimalist sounds of The xx could have possibly fit into the elaborate story and sets and times of The Great Gatsby, who was I to ask, really? I had no intention of seeing the film earlier in the year, so I just enjoyed (some of) the soundtrack, and as a fan of The xx, this is one I couldn’t help but like. It’s just like The xx is; subtle but strong and moving enough to grab my attention in a non-forceful way. With this track, it was the strings, the fabulous strings three quarters of the way through that grabbed me by the throat and took my breath away. The xx, simply, they’re just really, really good. Simple but true. (Jo Michelmore) 


Like a Sunday afternoon valium, 'Together' slows the beat of my heart while it carries me into a dark, haunting ocean and leaves me floating aimlessly on the surface. All the while staring longingly into the dark glittery sky and contemplating life and intimacies... Romaaaaaaantic. (Nayt Housman)

My housemate and I were joking about early Architecture in Helsinki music being like playschool tunes for adults (side note – I LOVE early AIH music). “What's teenage music for adults then?” she asked. We thought about it and then decided The xx take the category. Not to say that this music isn’t sophisticated. It’s just that the stripped back sound with its simple layering and solo sounds taking their turns has a feel of something just coming together for the first time. 'Together' exemplifies this with its slightly dark and emotional feel created by simple lyrics, melody and layering of stark sounds. If it were a person it could almost be an angsty teen lying on their bed thinking the world will spin off course if they don’t get together with their true love. The strings at the end bring forth the drama that is sure to follow this teen. In saying all of this my housemate and I both agree that 'Together' is a very listenable track of 2013. (Lou Endicott)


‘Together’ is dreamy, haunting, and beautiful. This song makes me close my eyes so that it can wash over me. (Katie Langley) 

#108. Berzerk

by Eminem

So baby make just like K-Fed and let yourself go, let yourself go.

What is it about Eminem that makes me so happy? I just don’t know, because it shouldn’t make sense that I like Eminem, but when this track was released in the last half of this year, I was just so goddamn happy. It was like everything was back in its place in the world, the sun was shining, the flowers were blooming and Eminem sounded great again. Maybe this is an exaggeration, but the bit about me being happy isn’t. Eminem just sounded like Eminem should, his usual vocal sounding like Eminem, a little cheeky, a little weird, a little funny, a little good. It could have been the little sample of the Beastie Boys that really convinced me this was a track to love, but it wasn’t that alone. He’s just really good ok? Happy face. (Jo Michelmore) 

Guess who’s back? Okay, so Eminem’s not bringing sexy back, but ‘Berzerk’ is a pretty catchy tune! It’s quite different to his old material, and initially reminds me of the Beastie Boys. I think this one is a grower. (Katie Langley)

Super serious Eminem was given a bit of a break as Slim Shady revisited his past self to create the sequel to his most successful album. This was a good thing. For the first time in a long time, it’s sounding like Eminem is having some fun. But not the over the top fun of the questionable ‘Just Lose It’ and ‘We Made You’. This amount of fun is juuuuust right. He’s making fun of “the ugly Kardashian”, rapping about being on his ra-aa-gs and dropping Ren and Stimpy references. It’s a little dated, but it works. ‘Berzerk’ has a distinct Beastie Boys vibe working for it too… and who’s going to say that’s a bad thing? (Matt Bond)  

#107. Blue Tone Black Heart

by Bonjah

Looks like you need some loving,

I can love you day and night. 

Put on your rock socks and your best vintage suit kiddies, it’s time to swing, shuffle, twist, mosh, whatevs, this one is a booty shakerrrr. 'Blue Tone Black Heart' is a full on rock energy bomb embellished with retro riffs and some fiercely appealing pop hooks capable of snagging some seriously “groovy” fish in the big “rock pool”. Think of them as kinda like Wolfmother but with much less annoying vocals. WIN WIN! (Nayt Housman)

Yes! Yes! Well done Bonjah – ‘Blue Tone Black Heart’ had my foot tapping right from the get go. And the husky vocals, well, they had me swooning. (Katie Langley)

There’s a catchy riff to start, there’s a lyric about “you don’t have to like it but I can make you love it”, there’s a really solid beat, they sing about black hearts, they’re a four piece band from Melbourne and they dress well, they know how to work a chorus and know what the perfect amount of blues v rock ratio is. They’re Bonjah and since I’ve somehow earned the reputation of being the blues/rock writer on this blog, I suppose I should like this. Luckily, there’s a little bit more than liking going on with this one, because I kinda love it. (Jo Michelmore)

Glen Mossop’s voice is just too good. It’s cool. It’s much cooler than your voice or mine will ever be. If Mossop is reading this, then he can just look at his reflection in the computer monitor and say, “hey, Glen Mossop. You’re pretty gosh darn cool.” His Bonjah band mate’s aren’t slouches themselves in the cool stakes, showing on ‘Blue Tone Black Heart’ they’ve got all the right grooves and moves. One of 2013’s biggest rock winners right here. (Matt Bond)  

#106. Midnight Run

by Grizzly Jim Lawrie

We built this tower tall, it was built to fall...

A friend introduced me to this song earlier in the year. It was put in a playlist of new music that I listened to over and over as I was studying complex design software. I was so in the thick of study at the time that I didn’t really have a chance to look at the artist behind the song. But it was one of my favourites none the less and I would nod my head along to the chorus and sing, “Here…. we come… This is a midnight run…” As I worked past midnight on my assignments that were slowly exploding my brain cells, 'Midnight Run' helped put my brain back together. This song was a great antidote for the late night owl that I had become.

A few months later I was sent to review a band called Grizzly Jim Lawrie. I immediately felt I had this intimate connection with the band as a whole. It was only when they played this song that I realised who they were – my late night theme tune saviours! I briefly met Jim after the gig and thanked him for his amazing set and for this great song. So this song reminds me of the universe being smaller than I know it. (Lou Endicott)

‘Midnight Run’ is one of those versatile songs you can enjoy almost anywhere. So, you’re not going to put it on at a rave… but as the wise, mature young men and women that we are not, we wouldn’t be caught dead at a rave anyway. However, I do like long drives (especially at night), chilled hang outs with friends, beach days, hammock days, days in bed, drinks on the balcony and London style park lunches. All of those are appropriate places to play Grizzly Jim Lawrie’s ‘Midnight Run’. I’m sure there’s a million more places too. ‘Midnight Run’ is the right kind of quirky, Jim Lawrie’s voice is the bomb and the track has a sense of adventure that’s sorely lacking in a lot of music these days. It’s a lot smarter than the average deafening doof-doof. Down with raves (if they even exist anymore), up with Grizzly Jim Lawrie. (Matt Bond)

When I first reviewed this track in June this year, I spoke a lot about how I love drummers who turned into singers and sometimes vice versa as well, because Grizzly Jim Lawrie has done just that, put his drum kit aside to play guitar and sing. Let me re-iterate this with you. I LOVE drummers that become singers and now, having declared that, let me say this; I love having discovered Grizzly Jim Lawrie this year. ‘Midnight Run’ is a piece of indie rock perfection, its beats and guitars and lyrics just adorable. If you haven’t seen any of the Tram Sessions on the youtubes, you should. Grizzly Jim sings ‘Midnight Run’ in one of my favourites and ends it by having a lovely chat to an unlikely, unassuming fellow tram passenger. Speaking of unassuming, I think it’s only right I repeat what I said about this song in June, because I think I summed it all up then;

“Besides all of that, can someone look at the guy please? The beard, the glasses the unassuming pose, you're totally not single are you Jim? The cuteness is unbearable...and you drum? Ahem, yes, sorry, love this track.” (Jo Michelmore)

Jim Lawrie tells us a bit more about 'Midnight Run' in his interview with Matt earlier in the year...

Jim Lawrie: The song came out of a bit of a difficult time for me, and in retrospect, seeing others going through similar experiences, I was thinking about how hard it is to be proactive about getting out of negative situations sometimes. There’s this weird instinct to just kind of wait it out until it gets better, and sometimes it never does. The track is about just getting up and getting out. I guess the idea is kind of like a homecoming to happiness, that desertion isn’t always a negative thing.

 

#105. Gun

by Chvrches

And it's you I'll come for,

And I'm gonna see that you won't go far. 

British synthpop got a nice kick in the janglies in 2013, courtesy of the enigmatic outfit, Chvrches. Lauren Mayberry, Iain Cook and Martin Doherty dropped the sparkly disco-lite romp, ‘Gun’ just before the release of their debut album, The Bones of What You Believe and I think the whole world started shimmying along to Mayberry’s glittering vocals. Seriously, if it wasn’t for the mildly threatening lyrics (that I love), you could convince me that this is the sound a unicorn makes when breaking wind. It’s pretty magical, right? ‘Gun’ is one of the greatest tracks released this year to shake it like a Polaroid picture to. (Matt Bond)


I first heard about Chvrches through another little band from the UK who I adore, Curxes, who remixed another Chrvches track ‘Recover’ early in 2013, but more about that track later in the countdown (maybe, if you’re lucky). As far this one is concerned, I first heard ‘Gun’ mid-way through the year and when I got their debut album in September, it was the track I played first, because there was something about it I couldn’t quite explain, but it’s something that I still can’t get enough of today. Maybe it’s the cold but sweet sound of singer Laruen Mayberry’s voice, maybe it’s the synths and sounds of Iain Cook or Martin Doherty, but more than likely, it’s the strength in the words that have seen me face some personal demons in the last half of this year and done for me what my favourite music does. It stands next to me and gets me through the moments, like these words have done so recently;

“You better run, you better run…I have burned your bridges, I will be a gun and it’s you I’ll come for…hide hide.”

Me? Chvrches fan much? Why, yes. Totally. (Jo Michelmore)


I do love me some 80s inspired pop and how can you resist the bubbly sound of Chvrches? They’re kinda like the Scottish answer to Australia’s Cub Sport. 'Gun' is a bouncy and super catchy pop tune that has YOU in its sights ready to “gun” you down, make you wiggle your bum and shake your shoulders like an 80s troubadour. (Nayt Housman)

I’m fairly new to the Chvrches bandwagon, but oh how I love this amazing electro pop! Very reminiscent of the 80’s. (Katie Langley)

 

#104. Hung On Tight

by Snakadaktal

I hung on tight,

'Cause I thought I loved her. 

This song again has that 80s throwback that I am digging so much at the moment. It’s the dreamy synth backing with smoothe vocals that I find so appealing. 'Hung On Tight' definitely has an element of a more laid back groove going on that brings me back to listen again to it. This song is one I put on to relax and chill when I feel the brain is overloaded. Although there is a sense of a love lost in this song it never brings me down listening to it. I love the lyrics: “Tell me stories I was to sing, Flying dragons in my sleep”. Just a bit fanciful. Love. (Lou Endicott) 


One of the best parts of 'Hung On Tight', apart from being ridiculously beautiful is the video clip. I’m sure I’ve had the exact same dream/nightmare of having my kidney removed after what seems like a massive party and then singing karaoke at home in a sombrero. Dream-like and surreal seem to be the perfect words to describe High On Tight as they do Snakadaktal in general and youthfully introspective could be used to describe them lyrically; overall intriguing and beautiful. (Nayt Housman)


You know those songs that you think are ok, but then you see the clip and you somehow get a little but addicted? This was one of those for me, because I watched the clip a bazillion times (ok, five or six times, maybe, I do like to exaggerate), partly to try to figure out what’s going on and partly because it’s a little bit addictive. There’s an ice bath, an injury, a girl, a fairy lit staircase, a sleepy kitchen, a band, an emergency and a wheelie bin, in no particular order. Don’t tell me that’s not a clip and therefore a song to love. Addicted. Watching…again. (Jo Michelmore)

But seriously, does it get any dreamier than Snakadaktal? The opening drums of ‘Hung On Tight’ make way for the most serene guitar work and yes, ‘serene guitar’ work may sound strange, you rock and roll powder keg you, but this right here is pure, undiluted fantasy rock. Give it a spin and go fight some dragons in your sleep!(Matt Bond)

 

#103. Feeling

by Client Liaison

So I don't fight the feeling,

Because feelings they just need to grow. 

There’s something completely cheesy but brilliant about this song. It seems like the perfect way to begin the morning – rolling out of bed, rubbing your eyes, ready to begin the day and take on the world. (Katie Langley)

It’s like, I know they’re a kind of joke band, but not in the traditional sense and that kind of confuses me, because I don’t like the joke band, traditionally. It’s just such a godamn catchy pop song though. It’s everything 80s and even though there’s a heap of the 80s that should probably be forgotten, it’s like the two who are Client Liaison; Monte Morgan and Harvey Miller, found all the good bits and turned them into a pop song. They even found the traditional pop high note at three minutes into the song and followed it with the most happy of synth sounds and 80s dance moves and made it seem so godamn cool. A dream for 2014? To see Client Liaison play live, so I can wear legwarmers and Reeboks and pegs in my hair like Cyndi Lauper and I can crack out the best 80s dance moves and pretend I’m a character in Footloose….or something. (Jo Michelmore)  

#102. Ways To Go

by Grouplove

Don't wanna sleep tonight,

You've got me feeling right. 

Grouplove are one of those groups I’ve never quite been able to work out. I mean, I’ve liked them, but I’ve just not quite been able to figure out how much I like them. Then they’ve done things like write songs like ‘Way To Go’ and I think I’m convinced that I’m a fan, but I’ve never declared it publicly. I can’t deny how much I like their clips, because everyone knows I like a clip with a story and they do those clips so well. This one was no exception. I should just commit, shouldn’t I? If this little song with its repeatable chorus “I got a little bit longer, I’ve got a ways to go” wasn’t enough to convince me to declare myself a fan, I don’t know what would be and the best part is, you know when you sing along, you’re almost definitely going to sound as good as, if not better than singer Christian Zucconi anyway. Let’s just commit now. I like this song, so ok, I like Grouplove, but I won’t commit to love. Grouplove like is enough, for now. I’ve got a ways to go… (Jo Michelmore)

For me ‘Ways to Go’ sounds very Billy Corgan-esque, if that grumpy motherfucker were to have a Coke and a smile. Unlike Billy Corgan I actually rather like this song and find myself drawn in by its upbeat energy. (Katie Langley)

If the ridiculously catchy tune doesn't win you over, the video certainly will. (Matt Bond) 

#101. Shoot You Down

by The Velvets

'Cause I take what I want when I need it,

When I need it, honey. 

If you like your rock and or roll to be of the gritty, down and dirty and no f*cks given variety, then you’ll be a big fan of The Velvets and ‘Shoot You Down’. Jim Stirton pulls off the attitude required on a track that suggests these lads will do what they want, whenever they want and not give two flying f-bombs what you think about it. The band has been influenced by heavyweight acts like Iggy and The Stooges and Led Zeppelin and it shows. ‘Shoot You Down’ is everything you want from a good ‘ole rock track. More please and thank you. (Matt Bond) 


I was hooked on this track from the opening bass line. ‘Shoot You Down’ has these amazing dirty, sexy vocals that make me want to do naughty things, like vacuuming in the nude. I find myself singing along and head banging to the very catchy line, “I take what I want when I need it.” (Katie Langley)

Jim Stirton answered some questions about The Velvets' influences and sound when interviewed by Matt earlier in the year... 

Matt: You've got a great, straight-up rock and roll sound coming through on the tracks 'Shoot You Down' and 'Forty-thousand Scars.' Which influences do you think are carried through the most in your music?

Jim Stirton: Why, thank you! Well, we've all got different influences when it comes to our music. I think that's the best. If we were all like-minded  we'd probably come out sounding like a copy or just plain bland. Our different influences coming together in our song-writing makes for an interesting sound. We all grew up on classic rock'n'roll. Jack's guitar playing is heavily influenced by Hendrix and Stevie Ray. I'm well into my garage rock and punk, as well as Tom Waits. I fuckin' love Tom Waits. It's hard to say what carries through to the music though. I think I'm too close to it. Drunk people at our shows sometimes tell us we sound like Led Zeppelin and The Black Keys. Oh how I wish that were true!

 

See you tomorrow for ten more incredible tunes from 2013!

Top 113 Songs of 2013 - Honourable Mentions

Here comes December. No, wait... it's here! Which means It's My Kind of Scene is almost ready to present to you our list of the Top 113 Songs of 2013. Over the next twelve days, we'll be revisiting our favourite tracks of a year that kicked all kinds of music butt. It was a year of 16 year old music dynamos, French robot people, twerking like only a white girl can and so much more. While the international music scene has been a little bit cray and a whole lot Miley (and a little less Gaga, Beyonce and Britney), the Australian music scene has exploded with exciting new talent that are ready to rock your socks off. You're going to be meeting a lot of them over the next week and a bit. Sadly, not all of our favourite tracks can make the list... so we thought we'd offer a little preview with some honourable mentions. If songs this good didn't make the cut, just think how awesome the ones that did must be. Now go forth, listen and get your white girl twerk on with these 10 brilliant tracks from 2013!

Honourable Mentions:

Worthy

by Jacob Banks

The time has come for fate to decide,

If a part of me is even worthy. 

Rah Rah Radio

by The Delta Riggs

And she said you should go back to where you come from,

She said you should go back to where you come from. 

Hard Out Here

by Lily Allen

And if you can't detect the sarcasm, you've misunderstood...

Down On Life

by Elliphant

I could use a break, me need to go down, down, down, down on life,

I need you to take all my shadows for a walk tonight. 

Over The Love

by Florence + The Machine 

And I'll sing from the piano, tear my yellow dress and,

Cry and cry and cry... over the love of you.  

Fun Fact - Florence Welch has made the top 10 of our end of year countdowns dating back to 2009, with 'Cosmic Love' hitting #1 in 2009, 'Heavy In Your Arms' was #9 in 2010, #3 with 'Shake It Out in 2011 and #7 last year with 'Sweet Nothing', her collaboration with Calvin Harris. 2013 will be the first year Ms Welch has been absent from the upper echelon of our chart. Spoiler alert? 

Glory Days

by Iluka

I'll never let it go, no I'll never let it go...

Motorway

by Little Boots

They have lives, they have plans,

They could never understand. 

The Sound

by Ariela Jacobs

All I can hear is the sound of how we bid farewell.

Ohio

by Kingswood

She's got pretty almond eyes, I was taken by surprise,

She was standing at the show, 

Why? I guess I'll never know.

Fun Fact - The video for 'Ohio' has Kira Puru in it. Everything is better with Kira Puru. Thelma Plum makes an appearance as Puru's badass lady friend and you just might see a whole lot more of her throughout this countdown. Or will you? The drama... the excitement. What?   

Young and Beautiful

by Lana Del Rey

Hot summer nights, mid July,

When you and I were forever wild.

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The Top 113 Songs of 2013 countdown begins tomorrow!